MetalBite Review by Arek on 4/17/2017 5:58:16 PM
Alas, the moment is upon us. Finally, after six years we can delight ourselves in the sixth, long-awaited album of four Poles with pitch black souls. Material for the album was recorded in 2016 in several different studios, and mix and mastering was done in Satanic Audio by Haldor Grunberg. This full length consists of 10 pieces of devilishly good death / black metal lasting less than 41 minutes. The author of the demonic cover art is Marta Promińska (Hypnagogic Painting) and high rating for the entire publishing package goes to Agonia Rec. And that would be enough of dry data, now it's time for the music!
If anyone experienced Azarath’s sonic beating even once, then one knows this music without compromise - either you like it or don’t even approach. This is also the case this time. But what distinguishes In Extremis from other publications is the so-called ‘it’, also known as the element of "hit material" as others call it, which does not fit for either death or black metal, and even more so for Azarath, but this magic "something" or “it” makes you inhale this album straight up . I was hooked on Lost Soul’s "Atlantis ..." same way recently and although both bands are moving in the same musical direction, they sound a bit different. I fully agree with the publisher's description for Azarath as the "demonic mutation of Krisiun and Behemoth with shades of Immolation". This is a very accurate observation.
There is no time for intros, prologues or other inductions on In Extremis – just pure energy. They make your ears ring from the first to the last second. Some moments of respite appear in the ending of 'The Triumph Of Ascending Majesty' and 'The Slain God'. Blasphemy pours out with every note and every word screamed by Necrosodom. Those snarls of his in 'Sign Of Apophis' and in the beginning of 'Into The Nameless Night' sound like demonic rants during exorcism. No priest should come near this position even with the bible and the sprinkler in his hand. Real carnage!! There is noticeable progress in construction of solos. It may not be a quantum leap compared to the Blasphemers Malediction, but it’s still a move forward. The sound is much clearer – bravo Haldor! It seems to me that both sides have benefitted on this mastering collaboration. Maybe the band lost some of its underground soul, but you gotta give something to get something. Now it is easier to enjoy the melody of these musical explosions and the sounds of drums, guitars and vocals, and as you know you can write a lot about every instrumentalist of Azarath. It is difficult to acknowledge any of the songs over other ones on this album. It is simply bitchin' in its entirety. Perhaps the reviewer should not be so easily fascinated with the subject, but I am first and foremost a fan of heavy sounds, and what Azarath offered on In Extremis directly crushed me.
The summary will be short - the sixth material of this quartet is a must for every black and death metal fan, under any latitude. I suppose, however, that the current Minister of National Education, in spite of the many advantages of In Extremis, will not list it on the list of mandatory listening material. Still, I recommend the In Extremis to be tested individually and cannot wait for the local stage version.
Rating: 9 out of 10