MetalBite Review by Tobias on 3/2/2001
Let me get something out of the way here, can all you up and coming musicians do me a favor and stop giving your bands names that are the metal equivalent of after-school specials? If I keep hearing names like Dead Silent Slumber
or Eternal Tears of Sorrow
Ö or Dismal Euphony
(heretofore known as DE
)Ö I swear people, Iím going to raise a giant army of monkeys and I will hunt your ass down and you will be butt-romp-(Godly Editorís Voice to Atomic:
Shut theeee hell
Fine then. I liked when they were called The Headless Children
) much better. What the hell happened to that? What, too many W.A.S.P.
Let me tell you that I listened to this thrice before reviewing it. The first time I didnít think much of it. Then I went to a party and returned to listen to it twice more. Iím still not sure if this band is meant to be taken seriously. Again, like W.A.S.P.
, particularly the album The Headless Children
(when they dropped the super gore fiesta showmanship), youíre not quite sure if the musicians are taking themselves seriously. In fact, I can sum this up in one sentence: Imagine what Green Jelly
would be like if they took themselves seriously.
founder Ole Hegesen
and Blackie Lawless
should play golf together.
I know thatís a fairly apathetic statement, so let me get to the highs and lows of this album.
The Highs: I think Magma
is by far, the most successful song on the album. Though itís one of the slower tempo songs, I think it really gives the listener a pretty good idea of what DE
is about. There are times during this album that this band is so dead on that the proverbial ďgrandmaís cookingĒ couldnít hold a candle to their musicianship.
(Godly Editorís Voice to The Reader:
Donít worry, Iím not sure he knows what heís talking about either.)
My personal favorite of the album is Fly In Eye
. An unusual and twangy tune, with an enormous flavor for a surreal and upbeat old west with chorusing female vocals that sound like a drugged out hybrid of Missing Persons
and Fleetwood Mac
Another track worth mentioning is the well crafted and unusually well executed (for this album), Needles
. While this track seems to be one of the more serious tracks on the album, some of the lyrical content on the rest of the album is very amusing in a campy way (hopefully intentionally). I also want to give a REALLY BIG ďHell Yeah!Ē for the inventiveness shown on this album.
The Lows: There are some concepts and some composing here that are just plain rough around the edges. Though lyrically entertaining, Plasma Pool
seemed very sloppy. On that same card are the tracks Birth In Reverse
and Python Zero
. The energy is there, the desire is thereÖ but it just doesnít feel like the conviction or perhaps the required time was there.
I think the piece that really struck me as lame was the last 45 seconds of track numero uno, Critical Mass
. What started out as one of the mid-to-lower points in DE
ís song composition, quickly turned into a speed power-chord jam of little talent that reminded me of my 13 yr. old garage days.
The In-Betweens: The in-betweens are all over the place, like a suburban field of Chicago littered with goose shit in the spring. Youíre not quite sure to make of where the band wants to go and what theyíre really doing.
The Bottom Line:
One word Ė GreenJellyTakingThemselvesSeriously! Ö and some really clever and evil monkeys that ar- (Godly Editorís Voice to Atomic:
. Despite the sore spots, the ingenuity shown is pretty fabulous. I would love to see these guys grow, and Iíd like to see a live show.