Review by Felix on July 30, 2026.

It is probably a well-known fact that North Rhine-Westphalia, in particular the so-called "Ruhrpott," constituted the epicenter of the German metal movement during the eighties of the last millennium. Just think of groups like Sodom, Living Death, or Kreator, to name but a few. In addition, the North German metropolis of Hamburg was prominently represented by Helloween and Running Wild. In Frankfurt am Main, we were proud to have bands such as Tankard, Grinder, and, of course, Exumer.

The band showed up with a debut that did not follow the typical Teutonic approach. Their kind of thrash metal could not be compared with that of bands such as Kreator or Holy Moses. Exumer did not have the intention of impressing the listener with a very rumbling, stomping, or pounding sound. Due to the absence of technical deficiencies, the band operated on the same level of musicianship as their American thrash metal role models. To put it more precisely, Exumer's recipe for an amazing debut was based on the same ingredients as the first releases of Legacy (Testament) and Exodus. The edgy riffs, the tempo changes, and, in particular, the clear and razor-sharp sound revealed the spiritual relationship with Gary Holt's high-precision machine. By the way, I will never understand why the transparently produced albums of the eighties do not suffer from sterility. With regard to modern releases, transparency and lifelessness seem to go hand in hand. But that's another story.

The song material captivated with a handful of really outstanding highlights. The fast-paced "Xiron Darkstar" explained the terms "intensity" and "dynamism" in a matter of minutes. Its riffing was in a class of its own. As if that were not enough, the track delivered an aggressive yet catchy chorus. The other pieces pointed in the same direction, and some of them, for example the title track, did not pale beside the aforementioned thrash metal grenade. "Possessed By Fire," which was also the opener, demonstrated its variety of strengths with a gripping chorus, a casual break at the end, and, of course, incredibly sharp guitars. The vocals of Mem von Stein were simply fantastic, too. He had found the right mix of fanaticism, insanity, and expressiveness. Rarely appearing background vocals rounded the picture off.

Too bad that Exumer also performed a few tunes that did not possess the same amount of outstanding features. Some breaks did not completely match the flow of the respective song. But to put it in positive terms, it was good to see that the guys were not afraid of complexity. In the end, the band did not bore us with expressionless pieces, and this was the main thing.

"Possessed By Fire" was released by Disaster. The signing of Exumer confirmed the good taste of the company, because Exumer followed a similar musical direction as the likewise competent Angel Dust, whose debut had also been released by Disaster. Furthermore, the contract with this company also meant that the album was recorded and produced at Musiclab in Berlin by the fairly famous Harris Johns and Thomas Ziegler, the obligatory partners of Disaster. One can conclude from this that the company was not stingy, although it surely did not have the financial resources to compete with giants like Roadrunner or Noise. All the more astonishing was the result presented here.

"Possessed By Fire" became nothing less than a German thrash metal milestone, totally free from foreign stylistic influences and very competently implemented. To get a first impression, you should check out "A Mortal In Black." Its simple yet highly memorable riff at the beginning and its thrilling high-speed sections will surely make you curious for more.

Rating: 8.6 out of 10

Review by Fran on July 30, 2026.

Germany's thrash metal big three will always be Destruction, Sodom, and Kreator, with a three-way tie for first place depending on the particular taste of the person you're talking to. Then comes Tankard to complete the big four, a consistent band that kept recording album after album despite not being as famous outside Germany as the other bands mentioned above. In fifth place, there's Exumer: another great band with lots of potential that got lost in the ever-flowing stream of artists that plagued any relatively new artistic movement, such as thrash metal in the '80s. Their debut, "Possessed By Fire," was released in 1986, a year filled with seminal thrash metal albums characterized by raw production and a play-fast-or-die attitude.

Even if this brand of thrash isn't the most aggressive, the band's guitarist and songwriter managed to develop a strong riffing identity, heavy and fast, but exhibiting more speed and traditional heavy metal influences rather than the blackened thrash that Destruction, Kreator, and Sodom were playing at the time. Overall, the riffs are catchy and memorable, with the rhythm section being the strongest side of the band. The leads aren't brilliant, I must admit, but besides that and one silly circus-like bridge (probably a joke), there's nothing else painful to hear. The production is typical of the '80s, with warm analog tube preamplification on the strings and high levels of reverb used in the drum mix. The vocals are mid-ranged, occasionally hitting high notes but not quite convincingly. The creepy and muddy pitch used in some verses, almost narrated, fits the vocalist's capabilities better and gives the songs a more sinister edge.

This is Exumer's most important record without any doubt. The reunion offerings "Fire And Damnation" and "The Raging Tides" are basically versions of this same songwriting approach with updated production. I wouldn't say this is an essential record, but if you're a thrash metal enthusiast, you should check this out for general knowledge at least, and most likely you'll find it amusing. The album highlights, 'Destructive Solution,' 'Fallen Saint,' 'Journey To Oblivion,' 'Xiron Darkstar,' and the album opener, feature powerful riffs and are now classics. Their style isn't as dark as the first releases from the German thrash big three, nor as comical as Tankard's work; it's right in the middle, both lyrically and compositionally. Punky "0-0-0-0" street thrash for the suburban youth.

Rating: 8 out of 10

Review by Rosh on November 7, 2021.

I've been told before, by many metal maniacs, that despite it not being my subgenre of choice, I have a somewhat unique taste in thrash. This really isn't true though, because ultimately every so-called "unique" band among my thrashing veterans of choice is just another cult classic that every die-hard fan of the niche is familiar with. Nothing truly obscure, just a bit overlooked in the mainstream at most. I think this is because I never really connected with the hyper thrash community that much, and I was very choosy with the stuff they held in the highest regard. Upon hearing most of the canonical thrash material and finding myself only mildly enjoying Metallica and Megadeth, if not being totally indifferent to them, I realized that I wasn't going to become a career thrasher, rather just picking a few gems for when I craved the style. Whether they were world famous like Slayer, well known in the scene like Overkill or Destruction (the latter bands are my top 3 thrash institutions), or slightly overshadowed by others in their niche, I seemed to eschew the conventional wisdom of what was regarded as the best thrash and just kind of went my own way.

The latter category of bands contains one of the best examples of the selected thrash metal I got really into, that being Frankfurt's Exumer. Sure, I'm also big on Dark Angel, Sacrifice, Assassin, and a handful of other slightly less mainstream thrash metal bands scattered about the globe, but I feel that although Exumer is considered a canonically relevant entity in thrash, especially in the Teutonic scene, they're far too dismissed by thrash veterans for how enjoyable their music is. It kinda goes to show that I don't really "get" thrash. Exumer stole Slayer riffs, they're a bit generic, they don't have that many albums, what have you, and these are reasons they're seldom placed near the top of thrash lists. Me, I don't care, I just really like them for the style, especially 1986's Possessed By Fire. I don't know what it is, but despite the blatant influences on the riffs, it just feels like a classy and surprisingly distinct bit of metal. I like the songwriting, the vocals, the tone of the instruments, the track list, everything really. Hell, even the mascot is one of my favorites in all of metal and I'd like a mask and jacket just like that to wear for my mischief nights.

Anyway, before I dissect the songcraft on PBF to expose what it is I so connect with about it, I'd just like to talk about a trend I've picked up on - lesser fans of a niche are going to have choosier, more eclectic taste in it than the diehard fans, who will swear by the canonical material, AS WELL as the cult classics, generally. I know this to be true because I can provide a personal example. Doom is my favorite genre, and I never shut up about "Master Of Reality" and "Born Too Late". I really cannot emphasize that trend enough, because to me, it's a bit of a catharsis in that it explains why this album I hold in high regard has been such an enigma for me. I want to call it criminally underrated, but at the same time I understand why it's met with some dismissal. I guess I just love it because I don't truly understand this music.

At any rate, the songs here are remarkably consistent at the very least. Slayer riffs are everywhere, but hey, if you're gonna steal from anyone, steal from the best, right? It makes for a very literally "thrashy" and punchy listening experience, and this is evident from the first notes of the classic title track after a captivating choir intro. Tell me, exactly, in what regard is the title track not an outstanding thrash composition? It's intense, unrelenting, and has enough changes to keep the energy up for all four minutes. The tone of the music is actually far less grim than Slayer or Kreator circa 1986, feeling slightly more rooted in traditional heavy metal themes. This is one of the aspects that makes this album such a classy bit of metal, as I said above. Basically, it's dark but not overly so, and is therefore quite accessible. I quite like dark thrash, death/thrash and the like, but Exumer shows they can play heavy metal inspired thrash and execute it very well.

An example of the latter would be the melodic solo bridge in 'Destructive Solution' which does have a bit of an Iron Maiden vibe. Other components heard in tracks such as 'Sorrows Of The Judgement' feel a bit Mercyful Fate inspired, while the mid-tempo thrashing of 'A Mortal In Black' highlights the roots of thrash in NWOBHM from Blitzkrieg to Diamond Head. Now, as far as composition goes, there is a notorious black sheep here, and that is 'Fallen Saint'. The chorus riff is a direct ripoff of "Black Magic", as I'm sure other reviews have pointed out. But honestly, it's used well enough and is frankly a much more driving song than the overrated sixth track from Slayer's debut effort ever was. Track list-wise, 'Xiron Darkstar' is also an exceptional and adventurous thrash tune, with an excellent verse riff that, again, sounds heavily Slayer influenced, but is this time more original - I see that type of thing as being the true mark of genuine influence - writing in the same vein without directly borrowing from any one tune. Finally, 'Silent Death' is one of my favorite album closers ever - nuclear annihilation is always a good subject to wrap up with.

Other highlights would be the bass and vocals. Not all thrash has bass that comes through and adds this much punch to the music, so in this case it really pops with the guitar tone. For a traditional heavy metal-rooted thrash metal album, this shit is really "thrashy." The vocals, meanwhile, are similar to Schmier from Destruction, but feel a bit less hostile and cynical, instead opting for a bit more energy and "fun', further cementing the heavy metal roots. When your sound and songwriting is this strong and your influences are wielded this tastefully, you've got a recipe for high marks in my book.

Exumer's debut, Possessed By Fire, may indeed be considered second-rate thrash and perhaps rightfully so, but there is a great deal of material here that justifies it being one of my favorite releases in the style, and I think I speak for other fans and proponents of this album when I make these points. One other thing I would like to note before wrapping up is the fun, endearing, and innocent spirit in which this gem of a band was founded - they considered spelling their name the correct way, "Exhumer", but one of the guys' dads (I think) suggested they remove the "h", in order to make it distinctly their own. It worked, didn't it? To this day, typing the name "Exumer" on Encyclopaedia Metallum takes you directly to their page!

Rating: 9.9 out of 10