Review by Allan on August 31, 2003.

Everybody get ready. If metalcore is your thing, be prepared. Intense, screaming vocals, ravaging guitar riffs with sharp melodies, and drumming that will pummel your ears. Oklahoma's ferocious five-some The Agony Scene are hear to, uh, play music that you're already acquainted with...

Basically there are two ways to look at The Agony Scene. One way is to judge them based upon their musicianship and overall performance, and the other is to judge it strictly by the music.

Argument A: The Agony Scene sound excellent. The songs are tight, well played, and the band performs with ease. The production is very good. The guitars have a crushing tone, the drums are more than decent sounding, and the vocals, if you enjoy the raspy screaming in your metalcore, are on par. A lot of the music on this self-titled debut is very good. The riffing is intense and punishing, just the way metalcore should be. What more could one ask for?

Argument B: The Agony Scene simply fails to engage or interact outside of any preconceived metalcore boundaries. The performance may be excellent, but that doesn't make up for the lack of creativity, uniqueness, or originality. The first three songs sounded so similar it was nauseating. It was only half way through the album that things started to mix up a little bit, only to relapse back into more generic metalcore. It's not difficult to find well-played metalcore. I can find that many places. What I want is a band that can show me something interesting.

Bottom Line: If you're not one who cares about finding metalcore or hardcore that puts a bit of a spin on the norm, then The Agony Scene is the right place to stop. This debut will be more than enough for you. However, if you are one that is looking for a bit more, keep looking.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 7
Production: 8
Originality: 4
Overall: 5

Rating: 6.4 out of 10

Review by Krys on March 23, 2014.

Lately Italian local cuisine must have started adding alcohol to the maccaroni cause almost every album that hits my desk from azure shores delivers impressive doses of fury and quality. Alldead debut End Gates is no exception.

Comprised of guitar shredders Aldo Panico and Luca Miolla who showcase wide range of influences, blackened voice of Antonio Guerra, and with crushing bass-drum duo of Francesco Oresta and Rodolfo Russo, Alldead spits out high quality material worth noticing in the overcrowded scene. Described as mix of black and death, our quintet also throws into the melt some thrash, delicate overtones of folk and even some classic touches of rock. Because of wide range of musical landscapes listener can't feel boredom and is treated with wide range of flavors. Alldead makes sure that End Gates has something for everyone, from Immortal driven "Ballad Of The Dead", through crushing thrash riffs of "Black Light Of Death" and ending with clean vocal singing on "Something Dark Grows" Alldead diversifies its music just enough to keep it interesting and not lose listener in a chaos of experiments.

My only drawback is that sometimes it feels like they have too many ideas and can't let go from some less impressive chunks. For my taste most of End Gates tracks, running from 5 to 10 minutes, could be a little shorter. I get the impression that number of them would greatly benefit without few riffs and concentrated most punch in shorter spans. But hey, this is a debut and what would be a better place for trying what works or doesn't than your first record. Recommended regardless.

Categorical Rating Breakdown

Originality: 7
Musicianship: 8
Atmosphere: 7
Production: 8
Overall: 7

Rating: 7.6 out of 10

Review by Krys on March 23, 2014.

Lately Italian local cuisine must have started adding alcohol to the maccaroni cause almost every album that hits my desk from azure shores delivers impressive doses of fury and quality. Alldead debut End Gates is no exception.

Comprised of guitar shredders Aldo Panico and Luca Miolla who showcase wide range of influences, blackened voice of Antonio Guerra, and with crushing bass-drum duo of Francesco Oresta and Rodolfo Russo, Alldead spits out high quality material worth noticing in the overcrowded scene. Described as mix of black and death, our quintet also throws into the melt some thrash, delicate overtones of folk and even some classic touches of rock. Because of wide range of musical landscapes listener can't feel boredom and is treated with wide range of flavors. Alldead makes sure that End Gates has something for everyone, from Immortal driven "Ballad Of The Dead", through crushing thrash riffs of "Black Light Of Death" and ending with clean vocal singing on "Something Dark Grows" Alldead diversifies its music just enough to keep it interesting and not lose listener in a chaos of experiments.

My only drawback is that sometimes it feels like they have too many ideas and can't let go from some less impressive chunks. For my taste most of End Gates tracks, running from 5 to 10 minutes, could be a little shorter. I get the impression that number of them would greatly benefit without few riffs and concentrated most punch in shorter spans. But hey, this is a debut and what would be a better place for trying what works or doesn't than your first record. Recommended regardless.

Categorical Rating Breakdown

Originality: 7
Musicianship: 8
Atmosphere: 7
Production: 8
Overall: 7

Rating: 7.6 out of 10