Review by Arek on May 2, 2021.

Thanks to the gentleman with the mysterious nickname Nameless (git.) there was all this commotion, which was called KIRA. When the death metal body called Nomad in which he was involved became too tight, and the left hand path tempted with the dark side of the force, in the year 2015 Kira started its existence. After completing the line-up and two years of perfecting musical ideas from hell, the 14-track Ancient Lies was created. But we're not here for that, not yet, not now! Three summers and winters later, when Kira's line-up grew to a quintet and new ideas matured, a second album was born and it was named Peccatum Et Blasphemia.

Yes, this 10-piece work is the subject of my verbal distortions. Thanks to Ossuary Records, this album took on physical form and got itself into my hands. Before the act of consumption however, it is worth mentioning the characters who poured drops of their sweat on this occasion. Well-known for his participation in Behemoth and Nomad's father - Seth composed and played guitar in ‘The Fearful One’. Damian Gwardzik from Northern Plague went crazy on drums in 2 songs. And the graphic side was taken care of by Michał "Xaay" Loranc himself and it must be admitted that his ‘flaming’ vision harmonizes with the hellish nature of the album.

On their second album Kira served us a quite varied dish, where the main note is hoarse black metal with elements of death, but there are also doom-like tendencies. For example, ‘One Gram Of Your Soul’ brings back memories of early Tiamat from "The Astral Sleep" era. Although the album should be described as quite fast and aggressive, we will also experience some solid slowdowns in the ‘Temple Of Suffering’ melody, in 2/3 of ‘Lord Of Hallucinations’ and the character of ‘The Fearful One’ and ‘Weakness Isn't Breathless’. Each piece is enhanced with a glowing blast beat part however and everything would be OK, if not for... Somehow I don't like the sound of the album. The drums are fuzzy, and the guitars lack power in the fast attacks. Only the bass, as soon as music slows down, breaks through and crushes. But these are just my observations. The authors probably wanted the blackness and sulphur to breathe from the record and achieved it. The album is good to listen to nevertheless. It is aggressive, biting, but it also has an atmosphere that makes you feel fear and evil, blood and sweat, and the stench of hellish depths.

Peccatum Et Blasphemia is certainly not a complete album. It will not raise Kira to the thrones of hell, but it is certainly an album that can raise some interest in the band. After all, as the title of the first track says, this is just the opening of the gates of hell, and see for yourself the power of the flames bursting from the cover of the album.

Rating: 7.4 out of 10

Review by Arek on May 2, 2021.

Thanks to the gentleman with the mysterious nickname Nameless (git.) there was all this commotion, which was called KIRA. When the death metal body called Nomad in which he was involved became too tight, and the left hand path tempted with the dark side of the force, in the year 2015 Kira started its existence. After completing the line-up and two years of perfecting musical ideas from hell, the 14-track Ancient Lies was created. But we're not here for that, not yet, not now! Three summers and winters later, when Kira's line-up grew to a quintet and new ideas matured, a second album was born and it was named Peccatum Et Blasphemia.

Yes, this 10-piece work is the subject of my verbal distortions. Thanks to Ossuary Records, this album took on physical form and got itself into my hands. Before the act of consumption however, it is worth mentioning the characters who poured drops of their sweat on this occasion. Well-known for his participation in Behemoth and Nomad's father - Seth composed and played guitar in ‘The Fearful One’. Damian Gwardzik from Northern Plague went crazy on drums in 2 songs. And the graphic side was taken care of by Michał "Xaay" Loranc himself and it must be admitted that his ‘flaming’ vision harmonizes with the hellish nature of the album.

On their second album Kira served us a quite varied dish, where the main note is hoarse black metal with elements of death, but there are also doom-like tendencies. For example, ‘One Gram Of Your Soul’ brings back memories of early Tiamat from "The Astral Sleep" era. Although the album should be described as quite fast and aggressive, we will also experience some solid slowdowns in the ‘Temple Of Suffering’ melody, in 2/3 of ‘Lord Of Hallucinations’ and the character of ‘The Fearful One’ and ‘Weakness Isn't Breathless’. Each piece is enhanced with a glowing blast beat part however and everything would be OK, if not for... Somehow I don't like the sound of the album. The drums are fuzzy, and the guitars lack power in the fast attacks. Only the bass, as soon as music slows down, breaks through and crushes. But these are just my observations. The authors probably wanted the blackness and sulphur to breathe from the record and achieved it. The album is good to listen to nevertheless. It is aggressive, biting, but it also has an atmosphere that makes you feel fear and evil, blood and sweat, and the stench of hellish depths.

Peccatum Et Blasphemia is certainly not a complete album. It will not raise Kira to the thrones of hell, but it is certainly an album that can raise some interest in the band. After all, as the title of the first track says, this is just the opening of the gates of hell, and see for yourself the power of the flames bursting from the cover of the album.

Rating: 7.4 out of 10

Review by Elijah on February 19, 2022.

I never really cared that much at all for this album aside from standout tracks such as 'Multinational Corporations', 'Instinct Of Survival', and 'Scum'. I definitely prefer From Enslavement To Obliteration, and all the albums following it over this one. Scum isn't bad, in my opinion it's just flawed in some areas and not as colorful as the band's other albums.

This album is supposedly the "true pioneering force of grindcore", and I think that it's a pretty solid start for the genre. But my ONLY issue is that it's half good, half "what the hell happened???....."

Basically, Side A, the first album of this album; is great. It's full of energy, the guitars have a great sound that maintains a nice balance of relentless grinding and the ability to hear actual notes and melodies being played, and the drums have a cool, poppy, fulfilling sound. It isn't too solid nor too soft, it's just right. On the other hand with Side B, the second half; it's all fucked up. It's drastically different from the first half of the album. The guitars have lost their great sound, it instead sounds like some damn random gray wankery for the hell of "grindcore". It's sloppy as well, but pretty much the issue is that the guitars sound entirely different compared to the first half, I just don't understand why this happened. It sounds like some "brootal" demo or something.

Sure, the second half is quite some grindcore, but it's a drastic difference in comparison to the first half. You're just chilling and enjoying the music, and as soon as "Life?" come on, you immediately notice the change, and it confuses you, leaving you thinking something along the lines of "uhhhh...what just happened? It's not that great anymore." The second half is definitely listenable, but compared to the first half it aint shit. So much greatness has disappeared.

Pretty much what I'm trying to say is:
Side A: Awesome iconic grindcore that's fun, awesome, catchy, and has personality.
Side B: Sloppy, messy, demo ass material, wank-ish, gray noise grindcore for the hell of it.

This issue could have easily been prevented, I don't know why an entire half of the album has to sound different and not as good compared to the other, but oh well. If it all sounded like Side A I would have absolutely ZERO issues with Scum at all. This is definitely a great and iconic album, but one entire other half is different from the first half. I personally recommend From Enslavement To Obliteration, it's much better and it doesn't change up it's sound. Scum is good, but it's half bland crap that appears out of nowhere, unfortunately. I'd give this a very high rating if such a drastic amount of the album wasn't the bad part, I don't want to give this such a low score that is 65%, but I have to since it consists largely of the not good side.

+65 for Side A
-35 for Side B

Rating: 6.5 out of 10

Review by Luka on March 15, 2002.

During the last half of the Eighties death metal's most extreme variation, known as grind(core) was spawned by a few sick kids from Britain known as Napalm Death. In the process of creating a sound that takes even death metal to its very extreme, the band decided to eliminate all harmony or melody and created a genre of music that thrives on the deconstruction of music (if it can be called as such) itself. While original and innovative bands are always forerunners in my music tastes, these guys are, hands down, the most horrible band I have heard in my life.

Napalm Death have taken the concept of extreme music further than it was even meant to be taken. It's like they are deathly afraid that someone might accidentally mistake them for musicians, so every time a half decent metal riff starts (like on the title track, or 'Instinct of Survival') the drummer makes sure to break into a pointless blast-beat section that turns the song into drowned out noise. The guitars are so low that one has to be amazed they're getting a sound from their strings at all. A dark, slow churning riff will sometimes make an appearance, complimented with totally low tuned drums that give it an unearthly sound, but again, this band seems to think that it's mandatory to destroy anything that sounds like music for more than 10 seconds, thus bringing the overall composition value of the album to a zero.

The lyrical value here doesn't raise much further from a garbage container either. To an average song length of 30-seconds we get an average lyric length of 8 lines, these being rebellious nonsense about corrupt politicians and corrupt corporations, earth pollution, and other filthy matters. From the booklet pictures these guys don't even look 18, so who are they to preach to me about the ways of the world that they likely know little about. The vocalist, or the two vocalists, rather (the first one left halfway during the studio session, they hired another one that sounds completely identical) are utterly devoid of talent. This is not an angry yell, a guttural growl, or a rasp, this is some dude giving birth to an elephant and sounding very close to death. Absolutely tasteless.

Bottom Line: The first and most likely worst grind album in existence. The most horrible musical recording I've ever had the displeasure to hear.

Originality: 5
Musicianship: 0
Atmosphere: 0
Production: 1
Overall: 0

Rating: 1.2 out of 10