Review by Alex Grindor on October 29, 2024.

After popping into my radar with their jarring sophomore release The Mother Of Virtues, Pyrrhon is a band that I follow with bated breath. Every release since has been an absolute joy to listen to and on September 6th, 2024, with pretty much zero warning, they dropped their contender for album of the year with Exhaust, their shortest album to date with a more compact, yet still blistering and tumultuous approach.

Exhaust wastes no time in its presentation, plunging the listener straight into their formula of audial assault that has been distilled and perfected by this point in their career. Atonal riffs and melodies, supported by caustic bass patterns and lunatic drum bashing, toppled with Pyrrhon's trademark vocals that oscillate between furious shouting, fiendish growls, and defeated recitation. What this album offers however is a somewhat more approachable experience than previous efforts. It features 10 tracks with almost none of them exceeding the 4-minute mark, the longest being barely over 5, a sharp contrast with many of their previous albums that had songs that stretched over 8-11 minutes. This results in a more tight, compact album that is as effective as previous ones, losing not even a pinch of effectiveness and containing a variety of twists and turns at every turn, from twisted doom-like sections to somewhat spoken passages to more regular rhythms that deteriorate in a cacophonous crescendo. Production-wise, everything is just in its right place. The formula has already been established and it has just been perfected since, and even in its clarity it is a chore to even try to discern what is it that the guitars are playing. There is pretty much nothing else to say in this regard, it's really well done.

The feral beast that once lashed out at everything in its sight leaving a messy trail has evolved into an apex predator; quick, efficient, but still fiendish. That would be the analogy I'd use to describe Pyrrhon's evolution up to this, their latest album. They managed to hone their work, make it tighter, but it doesn't make it less jarring or threatening. To listen to Exhaust is to subject to its namesake, but it is worth every fucking second of it.

Rating: 9.8 out of 10

Review by Death8699 on February 4, 2019.

This one is no Cause of Death, it is merely average, nothing inherently special or worthy of admirable praise. It's not a total dud or bore, that would take out the effectiveness of the album. I neither think of this release as a waste or total gem, it lies flat in the average death metal category. It's nothing that's extremely extravagant musically, but you know it's "them", just a somewhat more modern form of "them." These guys are notorious for creating slow, demented musical lines with vocals that are gruesome, but on here you get more of a higher end form of John Tardy, not the low-end style that was self-evident in the earlier days of the band. You definitely get the brutal riffs here though.

What distinguishes this one from their prior releases have to be felt in the production sound quality as well as the vocals/music. Their use of thick guitar chords are a self-evident truth in pretty much all of their releases, however, the quality in the riffing here isn't markingly high. They are less creative on this one which would lie in the musical department. I didn't hear anything astonishing. It just seemed like a repeat of guitar riffs and sub-par mixing quality. The atmosphere is still dark, but would've been better if Tardy's vocals were more brutal. They seemed to lack spunk in their efforts and their lead guitarist is no James Murphy. He tries to capture that effect that Murphy had on the band.

This is a listenable release, however, don't expect anything that is glorious or exceptional. It seems like as a band, they've lost effectivenes. I mean to say that the music is average and the vocals are still all right, but the album's overall efficacy isn't there. They're just playing mostly bar chords with some tremolo picking going on there. The concept here is still Obituary's death metal sense which distinguishes them from the rest of the death metal community, but as far as something to get a physical copy of the CD to support the band is in question. I mean I'm glad that I got a copy of this album, but the younger generation of death metal fans may view this as just as being repetitive as well as slow.

My contention regarding Inked In Blood is that it does have its moments where the music grasps you, takes you into the abyss of the grimness, and aura that reflects a bit of the old era. A less than handful of original members are left in the band, but still, I think that the songwriting could've been a little bit catchier. There wasn't anything that flat out grasped me in an extraordinary sense. I think that their unique style remains, just the music wasn't very catchy or noteworthy. They just put out mediocre guitar and I'd say some decent guitar leads echoing out there, but none that could ever top that of James Murphy's. That guy was in a league of his own when it came to leads!

No, this isn't a monumental or hallmark performance musically, I thought it just a mediocre sensation of Obituary's output. Yes, there are some fresh and good pieces there and my expectations weren't exceptionally high here, but what I heard on this album as I put it to study on was that it's decent, yet just mediocre. Tardy's old style of vocals isn't there, it's simply a higher end version of him, though you do know that it IS him. The production quality was just bland in a way. I think that it could've been better, though it struck me as just being flat-sounding. You'll get some of Obituary's old tendencies but with a more modern tinge of them.

Rating: 7.5 out of 10