Review by JD on November 14, 2008.

I have to say, I heard some really good things about Left To Vanish through out the scene... and they were all over the place with the hype that was being generated. My great crushing disappointment came when I was charged with reviewing it, and I heard it for the first time.

As a Nu-metal band that is seemingly trying to be heavier and faster while making a real name for themselves... Left To Vanish fall way short of the mark. It sounds good, the packaging is awesome and everything. It does seem like they are exceptional musicians, and their lyrics seem to be top notch as they explore things that are funny yet serious as well... as a whole, they just simply don’t bring it across in a way that is at all really believable.

They are very ingenious in how they crafted their material, but they lack the one thing that would bring them out of the shadows of all of the other Nu-Metal bands... believability! Songs like ‘Dirt Merchant’ and ‘Eyeless in Gaza' show Left To Vanish have more than just amazing potential, as these are so well written yet very nasty truthful songs... but overall the feel of the album lacks that believability that it needs.

Don’t get me wrong, Left To Vanish has a long career ahead of them, and I see them getting way better than this in a really short amount of time. "Versus The Throne" is a good start for the band but it is only that... a good start.


Categorical Rating Breakdown

Musicianship: 7
Atmosphere: 5
Production: 7
Originality: 5
Overall: 7


Rating: 6.2 out of 10

Review by Felix on October 26, 2021.

Machine gun drums, nagging vocals and sinister guitar lines - welcome to the always consistent universe of Grabak, a German black metal combat unit that never beats around the bush. Totally generic and slightly predictable, but enormously aggressive and violent, the band cements its status as non-fickle heralds of sonic tightness. Their best and most tyrannic songs have an infectious effect, at least to a certain extent. As soon as the fairly monotonous voice commands: "You are part of the legion", one really wants to become a soldier of Grabak's army. Too bad that this feeling only grows during the first half of the album where the better tracks are bundled. The longer the output lasts, the more the band runs out of puff. Little by little, the quality decreases, not in a dramatic manner, but recognizably and it goes without saying that a downward spiral is never a good thing.

Without delivering lukewarm or sloppy numbers - only the instrumental at the end of their fifth full-length shows a slightly lackluster face - and without shocking the listener with a feeble production, the album does not blow the audience away. It is true that the mix can be described as dense and robust. Moreover, it is aligned with the genre-typical standards with the effect that an uncanny mood is rising. Yet it is not the proverbial wall of sound. The same applies for the song material. The guys of Grabak have penned strong pieces, but in harmony with the slightly stale concept, there are no songs that stand out. The brilliance of true classics is missing. The band does not reach its best form, but this fact should not be overrated. Indeed, the Teutons have proven that they have enough ideas in order to write a perfect album (Encyclopedia Infernalis). But how many bands are able to produce such a masterpiece twice in a lifetime? Thus, it comes as no surprise that the status of immortal titans such as 'Bluttaufe' or 'Grand Grimoire' remain unaffected.

Despite the generally strong and ambitious guitar work, the integration of some cross-grained riffs would have been helpful. The overdose of more or less streamlined guitar leads is not the be-all and end-all, because due to these leads, the songs lack depth. Once again, I want to emphasize that I am not speaking of a mediocre or even ill-defined work. Nevertheless, I am a little bit disappointed in view of the lack of catchy (yet totally black) parts and the absence of dramatically growing song structures. Sporadic female vocals cannot cure these shortcomings and the same goes for the fact that Grabak do not lack of integrity and conviction. No doubt, the band acts fervently. Yet some explosive moments and a few numbers of flattening mid-tempo parts are not enough to form an album that deserves an outstanding rating. But regardless of all these details, it is a fact that the band shows a mature performance, and it cannot be condemned just because of not having fully exploited its extremely large potential. Consequently, I am still curious whether the black squadron will return or not after being passive since 2011.

Rating: 7.5 out of 10