Review by chrisc7249 on April 5, 2022.

Quebec. Need I say more? For as much of a tech expert as I am, I couldn't even attempt to name all the great technical death metal bands to come out of Quebec, even within the last 10 or so years. Deviant Process, Unhuman, First Fragment, Beyond Creation, Sutrah… it's quite ludicrous, really. Hatalom is a new band from this wonderful well of tech, having just an EP under their belt prior to this, released in 2018. Though I have yet to listen to it, I should probably get around to it because their debut full length from last year Occhiolism is everything I love about technical death metal.

Hatalom play an extremely melodic inspired version of technical death metal, probably inspired by bands like Allegaeon, Inferi, Equipoise and reminiscent of fellow 2021 releases, Ophidian I's "Desolate" and The Beast of Nod's "Multiversal." This is intricate stuff, with tasteful neoclassical shredding delivered at breakneck speeds. The atmosphere is excellent, with an overall sound that reminds me of Virvum's masterpiece "Illuminance," yet not necessarily focusing on the atmosphere as Virvum did. The feel of the record mainly comes in from the stellar production job that gives the music a huge boost of liveliness. Of course, the music itself resonates with me emotionally with tons of orgasmic melodies and riffs that stay stuck in my head quite often.

On a musicianship level, these guys probably reside in the middle-to-top of the tech death shred pole. While far from the fastest or most complex, the complexity definitely outshines bands more focused on brute heaviness or blissful atmosphere. Point is, it's a tech death band, so of course these guys can play their instruments very well. The vocals are pretty good, nothing special, but I enjoy them. Mix of both low growls and high screeches, used together and separate, and it fits well. There's definitely more boring vocal performances out there.

Fans of death metal with a good sense of melody that don't mind extreme technicality should enjoy this album, and, of course, I would easily recommend this for anyone who already enjoys technical death metal. It's definitely part of my listening rotation quite often, whether it be the whole album or just one or two or the songs on the record. Thanks again, Canada!

FFO: Inferi, Symbolik, Equipoise

Favorite song: 'Altered Reality'

Rating: 8 out of 10

Review by Allan on November 14, 2002.

After my first listen of the latest Zao record “Parade of Chaos”, the only thing running through my head was the question “Who are you and what have you done with my Zao!?”. I just didn’t think a band as solid as Zao could become only decent, or that Zao would actually let the band get to this point. I was wrong though, and as one can clearly see from listening to “Parade of Chaos”, Zao have left us with one disappointing swan song.

It’s not really that “Parade of Chaos” is a terrible album - because it’s not. The problem is that it’s coming from Zao and that it’s completely below their standards. When I listen to “Parade of Chaos” I’m always wondering where Zao is in the music, because it really doesn’t even sound like them.

Except for the excellent vocals of Dan Weyandt, nothing else sounds like it should have if Zao continued to progress naturally and take their time. It feels like “Parade of Chaos” was a rushed effort. The drumming of Jesse Smith sounds completely uninspired, leaving something to be desired after being exposed to his talent on previous Zao material. He sounds as if he’s just going through the motions and keeping the beat - not playing with the conviction he has, or used to have for Zao. Many of Scott Mellinger’s guitar parts are also lackluster, ranging from the uninspired riffs to the generic power chords. Only on songs such as ‘Killing Cupid’, ‘The Buzzing’, and ‘How Are The Weak Free’ do you get anything close to what Zao used to offer.

This time around Zao also thought they would try to bring in a few electronic passages. I admire Zao’s effort as progressing and bringing in new things, but they aren’t good with straight-out electronics. Maybe if they stuck around for a few more albums they would have gotten the hang of it, but it was a mistake to do something that radical for their last effort.

Through it all it seems if though the members of Zao are possibly going through some hard times, and felt the need to wrap up Zao with a last album instead of taking time to work things out. You can tell that Zao meant a lot to the members, but they didn’t really have it in them this time around.

Bottom Line: “Parade of Chaos” would be an excellent place to start for newcomers to Zao, seeing as they would be starting at the low point of Zao’s career and moving up. “Parade of Chaos” isn’t necessarily a bad one, but a disappointing effort from this talented band.

Categorical Rating Breakdown

Musicianship: 7
Atmosphere: 7
Production: 7
Originality: 7
Overall: 6

Rating: 6.8 out of 10