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Vessels |
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Review by Felix on July 4, 2019.
Over the span of three full-lengths, Axegressor have been a very reliable supplier of razor-sharp old school thrash and I admit that I had very high expectations with regard to their fourth album. Please keep this in mind when I say that Bannerless is marginally disappointing. Due to whatever reasons, the filthy Finns have slightly reduced the level of speed, aggression and fury. They still play thrash metal of the old way, but the sometimes-crucial iota of insanity and brutality is partly missing. Maybe the guys just have reached an age that does not allow them anymore to bang their heads regardless of the consequences. But a guy who calls himself Johnny Nuclear Winter does not have the permission to get old and lame. Firstly, the pseudonym sounds like a promise to deliver his whole life nothing else but ferocious thrash. Secondly, nobody reaches an old age in a nuclear winter.
Bannerless, the fourth one-word-title-album (two words are probably too expensive) of the Scandinavian ruffians, does not stand in the shadow of their other works as long as we are talking about the very impressive production. The heavyweight guitars prevail, and they glitter with cruel clarity, pressure and sharpness, but they do not pulverize the contributions of the other instruments. The double bass, for example, is able to deliver a decent bombardment. Not to mention the pumping, pretty prominent bass or Johnny's vocals. This dude raises his voice whenever he likes to do so, and his performance still reflects a rebellious attitude. Never hysterical, but always in a very angry and defiant mode, he screams the lyrics and it gets obvious, that the statements of the debut's title track ("we're not perfect / to play like the pro's / not classically educated / we're not one of those") are still valid. Yet this does not mean that Johnny sounds amateurish or monotonous. He spreads some energetic vibes and performs fervently. His mean aura ennobles tracks like the casually titled "Bridges to Cross and Burn".
"Barren Bloodline Worship" possesses some furious parts that catapult the song into the league of the classics of Axegressor's former records. "Truth Prostitute" is lively and fast right from the start. Its shredding and swirling guitars form a malicious thrash assault. This is the way that makes my day. But many mid-tempo parts speak another language. Axegressor often choose a comparatively gentle, nearly easy-going approach on this album. The crucial word is "comparatively". They still have a lot of energy, vigor and neck breaking qualities, but I miss frenetic tracks like "Command" or "SS-18 Satan". So, let's try another tactic and stop comparing this work with the previous results. Then I must acknowledge that Bannerless is an extremely strong produced album with more than a handful of formidable tracks. It remains a mystery to me why they have chosen a relatively uneventful track like the mid-paced "In Safe Space No One Can Hear You Scream" for the first position of the running order, but I admit that there exist more things between heaven and earth that I do not understand. Women, for example. However, I am at risk to digress. Get a copy of Bannerless and you will be able to judge for yourself.
Rating: 7.6 out of 10
1.55kReview by Adam M on June 21, 2016.
Be'lakor play an epic form of melodic death metal. They put their heart and soul into every stroke that they perform and make an attempt to make the entire affair as grandiose as possible. They also have the tendency to make it as melodic as can be.
The guitar lines are full of melodic passages and have an endearingly catchy effect on the listener. The sound is absolutely huge and all-encompassing. This is appropriate for the melodic death metal style as it lends to a fairly unique entity in the sub-genre. None of the other bands that dominate this sub-genre are quite as epic in scope as Be’lakor which puts them closer to Amon Amarth at times. Aside from this aspect, they are more similar to something like Insomnium in their melodic approach. The tracks all have a lasting impact with the punchy production job they’re given. This impact is one of the strongest you’ll get from the melodic death metal genre and a huge reason to listen to the band. Each song here is interesting in its own right and fits in with the rest of the tracks nicely. The songs can be listened to on a stand-alone basis, however. They are moving enough to garnish a great deal of attention.
The drive of this band is unquestionable. They did not rest on their laurels with Vessels, but have delivered another ambitious effort. The quality here outdoes the new Omnium Gatherum as well, for another similar styled entry. One needs to look no further than An Ember’s Arc for an early highlight. However, the next track Withering Strands is strong as well. The band maintains the quality of their vision for the rest of the release as well. Still, when compared to the likes of New World Shadows, this falls a bit short of that mark. It is still a wonderful record of melodic death metal.
Rating: 8.5 out of 10

