Review by Nathan GDL on November 19, 2021.

With the sudden and overwhelming rise of Deafheaven and the laughingstock of bands like Ghost Bath coming as the forefront of the modern blackgaze trend, it's hard to actually find bands post Sunbather that sound completely original and innovative. Although An Autumn For Crippled Children's Try Not To Destroy Everything You Love is a year older than Sunbather, it gets compared to it unjustly, mainly due to them both being post black metal leaning and both sharing pink album art.

As the album opens with the legendary 'Autumn Again', the track does not fail to surpass everything that has been done thus far in the genre. If there's one thing that AAFCC is perfect at, it's setting up the album, as the first song on every album tends to be my favorite, and the most bombastic. The synths that pop in like rays of the sun are perhaps the trademark sound to AAFCC, and it works so wonderfully as they use the synths throughout the album in the tightest of spots and the most luscious of places. The drumming on this LP, and perhaps, with every release after it, is an interesting take on the genre's normal pattern. The drums are extremely perky and spastic but in the best way possible. The fills on this album would never work outside of what they do here, especially on faster tracks such as 'Autumn Again' and 'Closer'.

The band works together with the closest metal equivalent to the legendary "Loveless" album by shoegazing pioneers My Bloody Valentine. The album, especially on tracks like 'Never Complete' and 'Hearts Of Light', have the warm and summer like atmosphere that suffocates the listener with its wall of beautiful noise. Around the 2:00 mark in 'Never Complete', the wall of suffocating beauty only grows as a long and drawn-out bass line bends over and surrounds the listener in a blanket of summery nostalgia. The guitars shimmer on tracks like 'The Woods Are On Fire', 'Avoiding Winter' and 'Starlit Spirits', where the tone is so full and rich that it literally feels like an orange ocean sunset illuminating some beachfront town with a warm, golden blaze. AAFCC is a mid-paced band as well, with tempos not exceeding the BPM of other blast beat crazy blackgaze bands, which only adds to the overwhelmingly luscious atmosphere this LP contains. Such an atmosphere only adds to the aesthetic of the band, as earlier releases such as Lost and Everything tend to stick to the more depressive and melancholic side of things.

With the soft pianos of 'Sepia Mountains For Her Lament' to the overwhelming suffocation of 'Never Complete', I could not give this album anything less than it deserves. One of my top three albums of all time.

Rating: 10 out of 10

Review by TheOneNeverSeen on February 7, 2023.

While I enjoy Blind Guardian's more prominent and acclaimed works like "Somewhere Far Beyond" and "Nightfall in Middle-Earth", this album is, at least to me, unmatchable. While being a transitional album in the band's discography (the more recognizable clear sound is not yet developed, while the rawness of "Battalions of Fear" and "Follow the Blind" is gradually fading), it offers some of the band's best material, and some of their most epic, remarkable songs, at the same time incorporating all beloved elements of Blind Guardian's music.

The album is opened by one of the band's best songs, "Traveler in Time". It has a cool riff, interesting development with a typical speedy solo and an immensely catchy chorus with one of the most genius ways of rhyming I have ever seen. The following song, "Welcome to Dying" also bomBARDs you with an epic guitar melody (especially at 0:21 and 1:55) and another remarkable chorus that I just can't help but want to sing whenever I listen to the album. The rest of the album is consistent in its excellence with the chaotic and indeed weird interlude "Weird Dreams", the acoustic "Lord of the Rings" and the constantly changing in terms of the tempo and feeling "Altair 4" adding to its diversity. But even when the album follows the structure of the first two tracks, it's successful at keeping the listener engaged and excited (especially on "​​Lost in the Twilight Hall", "Tommyknockers" and "​​The Last Candle"). All songs are awesome, highly atmospheric and inspiring.

In terms of the sound, the album is also impeccable. Sure, the production is not as clean as on the band's later works, but personally I believe it fits its melodies perfectly. Hansi's vocals, while not being too high-pitched like the ones of some other famous power metal vocalists, sound powerful and... angry?, at the same time staying very melodic and clear. Clearly, this album wouldn't be half as cool without the genre's best vocalist. The backing vocals are also decent, particularly on "Welcome to Dying" and "Goodbye My Friend". Other band's members have also done a great job. I highly enjoyed Thomas's energetic drumming, which adds to the album's energy a lot. The atmosphere of an exciting yet dangerous journey created by the album cannot be overestimated. The classic Tolkien adventurous, mysterious spirit is incarnated in both the album's cover art and the music itself.

I've always appreciated Blind Guardian's lyrics a lot. Classical flying-dragons-with-my-heart-made-of-steel kind of lyrics would probably not fit the band's spirit. "Tales from the Twilight World" is a perfect example of Blind Guardian's simple yet mysterious and engrossing style of writing lyrics. By the way, the reference to "Guardian of the Blind" from the band's debut in "The Last Candle"'s opening lines is simply genius.

So, this album is brilliant in terms of nearly everything. One of my favorite works in the genre and in metal as a whole.

Rating: 9.9 out of 10

Review by TheOneNeverSeen on February 7, 2023.

While I enjoy Blind Guardian's more prominent and acclaimed works like "Somewhere Far Beyond" and "Nightfall in Middle-Earth", this album is, at least to me, unmatchable. While being a transitional album in the band's discography (the more recognizable clear sound is not yet developed, while the rawness of "Battalions of Fear" and "Follow the Blind" is gradually fading), it offers some of the band's best material, and some of their most epic, remarkable songs, at the same time incorporating all beloved elements of Blind Guardian's music.

The album is opened by one of the band's best songs, "Traveler in Time". It has a cool riff, interesting development with a typical speedy solo and an immensely catchy chorus with one of the most genius ways of rhyming I have ever seen. The following song, "Welcome to Dying" also bomBARDs you with an epic guitar melody (especially at 0:21 and 1:55) and another remarkable chorus that I just can't help but want to sing whenever I listen to the album. The rest of the album is consistent in its excellence with the chaotic and indeed weird interlude "Weird Dreams", the acoustic "Lord of the Rings" and the constantly changing in terms of the tempo and feeling "Altair 4" adding to its diversity. But even when the album follows the structure of the first two tracks, it's successful at keeping the listener engaged and excited (especially on "​​Lost in the Twilight Hall", "Tommyknockers" and "​​The Last Candle"). All songs are awesome, highly atmospheric and inspiring.

In terms of the sound, the album is also impeccable. Sure, the production is not as clean as on the band's later works, but personally I believe it fits its melodies perfectly. Hansi's vocals, while not being too high-pitched like the ones of some other famous power metal vocalists, sound powerful and... angry?, at the same time staying very melodic and clear. Clearly, this album wouldn't be half as cool without the genre's best vocalist. The backing vocals are also decent, particularly on "Welcome to Dying" and "Goodbye My Friend". Other band's members have also done a great job. I highly enjoyed Thomas's energetic drumming, which adds to the album's energy a lot. The atmosphere of an exciting yet dangerous journey created by the album cannot be overestimated. The classic Tolkien adventurous, mysterious spirit is incarnated in both the album's cover art and the music itself.

I've always appreciated Blind Guardian's lyrics a lot. Classical flying-dragons-with-my-heart-made-of-steel kind of lyrics would probably not fit the band's spirit. "Tales from the Twilight World" is a perfect example of Blind Guardian's simple yet mysterious and engrossing style of writing lyrics. By the way, the reference to "Guardian of the Blind" from the band's debut in "The Last Candle"'s opening lines is simply genius.

So, this album is brilliant in terms of nearly everything. One of my favorite works in the genre and in metal as a whole.

Rating: 9.9 out of 10

Review by Allan on July 24, 2002.

Since they debuted in 1989 with “Battalions of Fear”, Blind Guardian has been a band that have progressed intensely. Not only did they push themselves to their limits every time, but they challenged the rest of the metal scene to keep up with them. With that progression they’ve lost and gained fans and created many mixed feelings amongst their following. Though, no matter what period in time, Blind Guardian has always followed up to fan's expectations. “Tales From The Twilight World” is no different, and maybe THE highlight of the band's career and of the power genre. It holds something for everyone that listens. It is a piece of history that fans of new Blind Guardian can look into, and an album that other Guardian fans can reminisce over.

There are an overwhelming number of excellent things about this album. One of the greatest things about “Tales From The Twilight World” is that it’s just one hundred percent, pure, stripped down heavy metal. Nothing on this album is overdone and you won’t find one drop of the pretentiousness that clouds the bands latest efforts. The performance is bombastic, but it’s not like you’ll be spending a night at the opera. Few bands can walk into that studio space and create something that radiates with true emotion like it did when the band first heard it inside them. When Blind Guardian went into the studio for “Tales...” there was something special happening; no fan of Blind Guardian will deny that. It was that emotion that was conveyed so strongly that pushed this album over the edge. Not only that, but the execution of the spectacular ideas made “Tales...” meaningful. From start to finish, not a ripple will be seen on the surface. What it comes down to is that “Tales...” is an album that is free of any excess rubbish, surprisingly well thought out, and a lot deeper than it may appear on the initial listen.

What truly makes Blind Guardian work is the line-up. When Hansi Kursh sings out with his mid range vocals he wraps himself around the listener to create a presence that is memorable and ultimately nostalgic. Guitarists André Olbrich and Marcus Siepen perform amazingly. The rhythm is impeccable and was something that I saw as an old Guardian trademark. Combined with an astounding lead guitar player who writes some of the most amazing riffs and solos that bleed with feeling, this duo is unstoppable. After the smoke clears it comes down to this, and not one piece of the puzzle is missing.

Bottom Line: I truly miss the old days of Blind Guardian, but at least Blind Guardian is progressing with style. “Tales From The Twilight World” is a timeless gem that many people will never forget and it deserves a place in every metal fans collection.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 10
Production: 8
Originality: 8
Overall: 9.5

Rating: 8.9 out of 10

Review by Allan on July 24, 2002.

Since they debuted in 1989 with “Battalions of Fear”, Blind Guardian has been a band that have progressed intensely. Not only did they push themselves to their limits every time, but they challenged the rest of the metal scene to keep up with them. With that progression they’ve lost and gained fans and created many mixed feelings amongst their following. Though, no matter what period in time, Blind Guardian has always followed up to fan's expectations. “Tales From The Twilight World” is no different, and maybe THE highlight of the band's career and of the power genre. It holds something for everyone that listens. It is a piece of history that fans of new Blind Guardian can look into, and an album that other Guardian fans can reminisce over.

There are an overwhelming number of excellent things about this album. One of the greatest things about “Tales From The Twilight World” is that it’s just one hundred percent, pure, stripped down heavy metal. Nothing on this album is overdone and you won’t find one drop of the pretentiousness that clouds the bands latest efforts. The performance is bombastic, but it’s not like you’ll be spending a night at the opera. Few bands can walk into that studio space and create something that radiates with true emotion like it did when the band first heard it inside them. When Blind Guardian went into the studio for “Tales...” there was something special happening; no fan of Blind Guardian will deny that. It was that emotion that was conveyed so strongly that pushed this album over the edge. Not only that, but the execution of the spectacular ideas made “Tales...” meaningful. From start to finish, not a ripple will be seen on the surface. What it comes down to is that “Tales...” is an album that is free of any excess rubbish, surprisingly well thought out, and a lot deeper than it may appear on the initial listen.

What truly makes Blind Guardian work is the line-up. When Hansi Kursh sings out with his mid range vocals he wraps himself around the listener to create a presence that is memorable and ultimately nostalgic. Guitarists André Olbrich and Marcus Siepen perform amazingly. The rhythm is impeccable and was something that I saw as an old Guardian trademark. Combined with an astounding lead guitar player who writes some of the most amazing riffs and solos that bleed with feeling, this duo is unstoppable. After the smoke clears it comes down to this, and not one piece of the puzzle is missing.

Bottom Line: I truly miss the old days of Blind Guardian, but at least Blind Guardian is progressing with style. “Tales From The Twilight World” is a timeless gem that many people will never forget and it deserves a place in every metal fans collection.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 10
Production: 8
Originality: 8
Overall: 9.5

Rating: 8.9 out of 10

Review by Luka on April 12, 2002.

Every album Blind Guardian have made helped get them where they are today, and as a fourth entry into their impressive and spotless discography "Twilight World" once again raises the band’s quality up considerably, it’s no wonder these guys are called “Iron Maiden of the 90’s.” Such a beneficent honor came from years of persistence as well as remarkable musicianship and talent that is matched by few in today’s metal scene. These boys know how to crank out fine music!

The production has again seen improvement from their previous works and this time there is great focus on making the songs more energetic and lively as well as keeping the tradition of careful mixing and proper integration of each instrument into the whole. Hansi’s voice is more confident and assertive than ever, you’ll find yourself happily singing along to the merry vocal lines of songs like 'Traveler in Time' and the catchy rhymes of 'Tommyknockers'. This is a fun album to listen to and while many parts may sound silly it’s nowhere near as cheesy as traditional German power metal. Blind Guardian have always had a harder edge and tougher shell and they rise well above the vast power metal crowd of Europe.

Musicianship is top notch, as it has been from the very first album. The fast double-bass drumming pumps the songs with adrenaline while carefully composed guitar harmony and fine melody gives them breath and life. The concept and importance of solos has all but died out in the last decade of heavy metal but Blind Guardian say different. Axemen Olbrich and Siepen utilize their supreme talents to conjure some damn fine lead sections and licks, most notably in the short, freestyle-ish instrumental 'Weird Dreams'. Kai Hansen of Helloween fame also performs some lead guitar and vocals as a guest musician. My special enjoyment came from the tracks 'Tommyknockers' and 'Altair 4', based on a great Stephen King novel that I had read just weeks before buying this album.

Bottom Line: You can’t go wrong with this album! But that goes without saying; when have Blind Guardian ever made a bad recording?

Originality: 8
Musicianship: 9
Atmosphere: 7
Production: 9
Overall: 8.5

Rating: 8.3 out of 10

Review by Luka on April 12, 2002.

Every album Blind Guardian have made helped get them where they are today, and as a fourth entry into their impressive and spotless discography "Twilight World" once again raises the band’s quality up considerably, it’s no wonder these guys are called “Iron Maiden of the 90’s.” Such a beneficent honor came from years of persistence as well as remarkable musicianship and talent that is matched by few in today’s metal scene. These boys know how to crank out fine music!

The production has again seen improvement from their previous works and this time there is great focus on making the songs more energetic and lively as well as keeping the tradition of careful mixing and proper integration of each instrument into the whole. Hansi’s voice is more confident and assertive than ever, you’ll find yourself happily singing along to the merry vocal lines of songs like 'Traveler in Time' and the catchy rhymes of 'Tommyknockers'. This is a fun album to listen to and while many parts may sound silly it’s nowhere near as cheesy as traditional German power metal. Blind Guardian have always had a harder edge and tougher shell and they rise well above the vast power metal crowd of Europe.

Musicianship is top notch, as it has been from the very first album. The fast double-bass drumming pumps the songs with adrenaline while carefully composed guitar harmony and fine melody gives them breath and life. The concept and importance of solos has all but died out in the last decade of heavy metal but Blind Guardian say different. Axemen Olbrich and Siepen utilize their supreme talents to conjure some damn fine lead sections and licks, most notably in the short, freestyle-ish instrumental 'Weird Dreams'. Kai Hansen of Helloween fame also performs some lead guitar and vocals as a guest musician. My special enjoyment came from the tracks 'Tommyknockers' and 'Altair 4', based on a great Stephen King novel that I had read just weeks before buying this album.

Bottom Line: You can’t go wrong with this album! But that goes without saying; when have Blind Guardian ever made a bad recording?

Originality: 8
Musicianship: 9
Atmosphere: 7
Production: 9
Overall: 8.5

Rating: 8.3 out of 10