Review by Krys on August 19, 2003.

After the break-up of Emperor, thousands of fans eagerly awaited any news from the Samoth and Trym camp hoping for any sort of continuation of this now legendary act. In 2001, Zyklon was the answer and became one of the most talked about underground bands on the planet. Parading an impressive mix of black and death metal, our two ex-members of Emperor teamed up with Destructhor (Myrkskog) and Daemon (Limbonic Art) unleashing their Zyklonic musical vision named "World ov Worms".

Two years after this highly acclaimed release the team returns with not just their most convincing work to date but with an album so complete and powerful that you will wet your bed for the next month straight while being let gasping for air in disbelief and excitement after each listen. With "Aeon" Zyklon not only proved its place in the top league of today's heavy hitters but made a strong mark that it's here to stay and ready to challenge anyone for the crown.

For those unfamiliar with their sound, the simplest way to describe it is as a hybrid between Morbid Angel and Emperor. But this description is as incomplete as your teeth would be when your jaw hits the floor shattering them. Need a proof? Listen to 'The Prophetic Method' and embrace fantastic licks harking Bay Area thrash at its best.

The guitar team of Samoth and Destructhor quickly is becoming one of the best axe duos of today's scene, perfectly complementing each other's skills. At times they are highly technical, but the obvious focus is on quality and creativity in the compositions. The result will blow you away not because of the speed but because of intelligent use of their craft in creating a cold and brutal atmosphere. That's right, atmosphere is the most noticeable change since their debut. An array of mid-tempo sections thunders around a variety of Trym rhythms and the sinister vocals of new member Secthdamon. Don't be alarmed though, Trym still dishes out plenty of whoop-ass by varying his drumming style the overall feel of the album comes as even more brutal and aggressive than "World ov Worms".

There's really nothing on "Aeon" that I can complain about. Every aspect is taken to the highest level and it just makes me wonder how the hell they can top this. Even the mic/bass debut of Secthdamon strikes as the best fit for this band. He uses every vocal style he has in his arsenal and does damn good job with it. Mothers hold your children, the storm is on the horizon and it's unstoppable.

Bottom Line: With the bar set so high "Aeon" not only will it be a challenge for any band to surpass but next time Zyklon themselves might be forced to call for reinforcements. For now though, let's enjoy this essential destruction tool of 2003 and leave this daunting task to unlimited creativity of Zyklon members.

Categorical Rating Breakdown

Musicianship: 10
Atmosphere: 9
Production: 10
Originality: 8
Overall: 10

Rating: 9.4 out of 10

Review by chrisc7249 on April 5, 2022.

With a name like Goreworm, it's probably easy to expect some low-grade brutal death metal band with indecipherable gurgles and slams galore (which I would welcome with open arms.) So, forgive me for not giving Goreworm a proper chance for a while, but, I'm not sure I forgive myself. I was missing out on some pretty awesome technical death metal that features elements from both brutal death metal and melodic death metal. This is sick, twisted tech death with a lot of character that makes it shine out from a lot of the bands of their ilk.

Goreworm's debut, Prodigy Of The Grotesque can best be described as a wretched birth child of Archspire and The Black Dahlia Murder. For starters, this record is on Tesla's ludicrous mode at all times. It's always firing at all cylinders, with speed that could melt a human's spine if administered too loudly. The drumming is impeccable, and I was surprised to find that it isn't a high profile drummer that's in a ton of bands. Kit master Sean Bruce shares only this band and another, but someone better get this guy on more radars because his stick work is remarkable.

Guitars and bass are highly technical yet also very melodic. This truly sounds like if Archspire started playing The Black Dahlia Murder riffs and leads, with that Gothenburg sense of melodicism mixed with incredible technical skill. The bass has a lot of time to shine, despite its mediocre sound in the mix. There's a ton of sick bass leads all over this album. The riffing is pretty good, but the melodies steal the show for the guitars. There's some occasional slam riffs in some songs that bring everything together to make the tracks more dynamic.

The vocals are death metal vocals, in case you couldn't have guessed already. The lows are fairly standard, the highs sound so much like Trevor Strand it's incredible. I even had to do a double take to make sure he wasn't a guest feature on some songs because damn, this guy sounds like him a lot on his high screams. He also does some sick slam vocals in some tracks that really add more to this album vocally.

Prodigy Of The Grotesque may signify the next Canadian prodigies, alongside already established names such as Archspire, First Fragment and Beyond Creation. This band is merely a few tweaks and fixes away from being the next big thing technical death metal has to offer. This album is certainly a grower, as the music is so intense and there is so much to unpack that it can take a while before it truly settles. Grotesque, vicious and blisteringly fast.

FFO: Archspire, Inferi, The Black Dahlia Murder

Favorite song: 'Taste Of The Deceased'

Rating: 8 out of 10

Review by chrisc7249 on April 5, 2022.

With a name like Goreworm, it's probably easy to expect some low-grade brutal death metal band with indecipherable gurgles and slams galore (which I would welcome with open arms.) So, forgive me for not giving Goreworm a proper chance for a while, but, I'm not sure I forgive myself. I was missing out on some pretty awesome technical death metal that features elements from both brutal death metal and melodic death metal. This is sick, twisted tech death with a lot of character that makes it shine out from a lot of the bands of their ilk.

Goreworm's debut, Prodigy Of The Grotesque can best be described as a wretched birth child of Archspire and The Black Dahlia Murder. For starters, this record is on Tesla's ludicrous mode at all times. It's always firing at all cylinders, with speed that could melt a human's spine if administered too loudly. The drumming is impeccable, and I was surprised to find that it isn't a high profile drummer that's in a ton of bands. Kit master Sean Bruce shares only this band and another, but someone better get this guy on more radars because his stick work is remarkable.

Guitars and bass are highly technical yet also very melodic. This truly sounds like if Archspire started playing The Black Dahlia Murder riffs and leads, with that Gothenburg sense of melodicism mixed with incredible technical skill. The bass has a lot of time to shine, despite its mediocre sound in the mix. There's a ton of sick bass leads all over this album. The riffing is pretty good, but the melodies steal the show for the guitars. There's some occasional slam riffs in some songs that bring everything together to make the tracks more dynamic.

The vocals are death metal vocals, in case you couldn't have guessed already. The lows are fairly standard, the highs sound so much like Trevor Strand it's incredible. I even had to do a double take to make sure he wasn't a guest feature on some songs because damn, this guy sounds like him a lot on his high screams. He also does some sick slam vocals in some tracks that really add more to this album vocally.

Prodigy Of The Grotesque may signify the next Canadian prodigies, alongside already established names such as Archspire, First Fragment and Beyond Creation. This band is merely a few tweaks and fixes away from being the next big thing technical death metal has to offer. This album is certainly a grower, as the music is so intense and there is so much to unpack that it can take a while before it truly settles. Grotesque, vicious and blisteringly fast.

FFO: Archspire, Inferi, The Black Dahlia Murder

Favorite song: 'Taste Of The Deceased'

Rating: 8 out of 10