Review by Kate on March 15, 2011.

As a long-time Amon Amarth fan, my heart always starts pumping just a little bit faster when they have a new album coming out. “The Avenger” and “The Crusher” were and still are albums of greatness, not to mention 2006’s “With Oden On Our Side”. 2008’s “Twilight Of The Thunder God” fell nothing short of amazing and I can say with all confidence that “Surtur Rising” is a phenomenal piece of crushing metal.

The album art alone shows the complexity of these Vikings, as you can see the great Surtur in the back with his flaming sword about to deal his wrath the meek humans who are running away in terror. This, if you think about it, represents Amon Amarth who delivers their music with such passion and integrity that anyone weaker than they, run away in pure panic (deep right???)

'War Of The Gods' opens with speed and aggressive vocals that are supplied by Johan Hegg and eventually delves more into a melodic landscape that has the sounds of battle in the background. The second track, 'Tock’s Taunt- Loke’s Treachery Part II' is a follow up of 'Hermod’s Ride To Hel-Loke’s Treachery Part I' from the 2006 “Oden” album and carries more of the traditional Amon Amarth war cry. 'Destroyer Of The Universe' pummels you with shredding guitar riffs supplied by Johan Soderberg and Olavi Mikkonen and incredible drum work from Fredrik Andersson while Ted Lundsrom’s solid bass playing carries a lot of power and keeps the tempo moving throughout the track.

When Amon Amarth creates an album, they create a story and when you listen to it feels like your being taken through the story with them. From the bloody battlegrounds to the great kingdom halls to the quiet villages along the countryside you feel like you’re a part of it. You can see Surtur gathering his sword to battle his enemies and dominate over the Earth. “Surtur Rising” is not just an album it’s a fantastic tale that’s presented with honor and dignity. This is some of the band’s most dynamic work yet and I cannot emphasize enough how you need to pick up a copy when this is released!

Categorical Rating Breakdown

Musicianship: 10.0
Atmosphere: 10.0
Production: 9.0
Orginality: 10.0
Overall: 10.0

Rating: 9.8 out 10

Review by Joshua on March 19, 2005.

Okay, for the impatient, here’s the bottom line: this is either formulaic Swedish death metal, punctuated with outstanding moments, or an outstanding album peppered with some hackneyed Swedish death metal. I couldn’t tell you which description is best. Deciding which of these two extremes most correctly characterizes Where the Ironcrosses Grow is impossible. The end result is exactly half-outstanding, and half-annoyingly trite. Not only that, but rather than having a mixture of one-half boring songs, and one-half interesting ones, songs range from really irritating segments, to some incredibly amazing segments. In other words, individual songs alternate between great and terrible.

Dismember retain their characteristic playing style throughout: thrash rhythms, classical scales, and an overuse of distortion that almost rivals Motorhead. The album sports a trademark, obstinate coherency that many other recent albums lack, with a playing style that sounds a lot like older Dismember. Alternately, this also sounds much like old Entombed. In many ways, this is a throwback to the days of Death Metal, when the two bands were almost completely interchangeable. What, another cover of “Sinners Bleed?” No, my mistake, that’s the track “Where Angels Fear to Tread.” Fortunately, there are enough original segments to hold the attention of listeners old enough to remember when Entombed could play.

Dismember’s influences are a bit more apparent on this release. The classic thrash influence shows strongly on several tracks. This is sometimes a refreshing anachronism, but not always; like many other reviewers, I’m forced to laugh at their attempt to turn into Iron Maiden during “Tragedy of the Faithful.” This is a fine example of a brilliant moment that is completely, utterly fucking misplaced with the rest of this album. There’s a lot of this, you know. Listening to this album gives me the feeling that Dismember fired every brilliant idea they had into random pieces of individual songs, peppering this CD’s tracks like scattershot. Granted some of their experimentation is stupid; for instance, immediately following “Tragedy of the Faithful,” we hear a poorly sampled movie chant to start off “Chasing the Serpent.” Not only is this a senseless inclusion, it also distracts the listener from an otherwise ominous introduction.

If Dismember polished the sound achieved on Massive Killing Capacity, rather than sounding like Entombed in 1989, this would receive better marks. Instead, this is either boring Swedish death with some amazing breakaway moments, or an album of outstanding music watered down with stale Swedish death. Deciding which is really up to the listener.

Categorical Rating Breakdown

Musicianship: 7
Atmosphere: 7
Production: 6
Originality: 5
Overall: 7

Rating: 6.5 out of 10