Review by Chris Pratl on November 16, 2020.

Nuclear Holocaust out of Poland has been kicking around since 2015, and in that short half-decade, the band seems to have forged a decent path in the grindcore / death / hardcore vein, which is fun for an initial listen, but...is there staying power with such a mish-mosh formula?

The current CD in front of me, The Book of Doom, is a compilation of old and new material, so I'll go with the first eight tracks. The new stuff relies heavily on blast-beats and a lot of the pedestrian sing-song vocal patterns (which, personally, immediately turns me off), but as I said, once around the fountain is pretty good for a listen. I did find it hard to decipher one song from the next after a while, but I digress. A lot of the trepidation I had going into this was pretty much encased in these initial tracks with regards to nothing being a standout or memorable experience. I will say the vocals do nothing for me with that vomiting, throaty belching in run-of-the-mill noise presented here. The music, however, fares a bit better with some good riffs and drumming, but the overall sterile feeling I get from these tracks never really left, I'm sorry to say. I just felt no real passion in these tracks, no selling point, and it almost seemed over-produced to the point of draining the tunes of any life.

For these tracks, I'd scale about a 5 / 10.

Now, for the older tracks, which came by way of a 12” split effort with Brazil's Expurgo. While I've not heard the latter's effort from said vinyl, I did engage Nuclear Holocaust's side, and I'll say it resonates much stronger than the newer material. The difference in production is immediately evident, as this has more of a demo feel, but the rawness and organic brutality seemed to flow much nicer and present far heavier than the newer tracks. The 'LSW of Death' track had some nice time changes and a definitive feel of some of the more known early 90's peers. Flowing into the next track (there isn't a track over the 2:11 mark), the precision and volatility was still there; the drumming was on point, and the vocals were really what I personally look for in grindcore – a sort of transitioning tone between throaty and a discernible guttural. I'm really damn impressed with the last eight tracks on this comp. I'd love to hear more in this basic, yet formidable style. Sometimes less is more, and this is the proof positive.

For these tracks? Definitely 8.5 / 10.

So, the final verdict is a big even-Steven I suppose. I'd say to grab this CD on the strength of the older material alone, seeing as this is the first time these tracks are seeing a CD release. Quite possibly the newer tracks will appeal to some fans of the genre, as long as you don't mind a mix of hardcore and grind sort of vying for supremacy in the tracks. I think those songs could have benefited more from a more solid attention to natural flow, but, alas, every band has its own style and vision, so....

I'll definitely be looking out for the older material via some splits and two full-lengths, and I'm hoping much of the same old-school rhetoric will be prevalent on those efforts.

Rating: 7.5 out of 10

Review by Yener on July 29, 2019.

Here we have a fairly new band, Italy’s Logic of Denial. After releasing two demos, the band make way for their first full length release, Necrogenesis.

Due to them being a young band, I was expecting something quite crap. Also the fact that the drummer calls himself “Dannyblast” kind of killed my expectations, and in my mind I wrote them off as some immature Italian brats who are just another Morbid Angel clone.

Sure enough, through the first few listens of the album, you’ll find that the riffs are indeed very Morbid Angel-ish, with some Nile-isms thrown in there for good measure as well. However, after a few more listens, without really paying attention to the name of the band, I discovered that they’re actually pretty damn good. While not exactly my style of death metal, simply because I don’t like Morbid Angel THAT much as to listen to hundreds of different clones of them, I still find Logic of Denial to be a band with some pretty solid potential.

The musicianship, as to be expected, is stellar. Props to these guys as they’ve obviously done their homework. They haven’t made the mistake of entering the death metal genre without having the ability to play their instruments, which would easily become their downfall. The vocals are good, nice and meaty, and remind me of, yeah, David Vincent – though I can’t say I’m surprised. Everything is just so Morbid Angel on here, and sometimes it just sounds like blatant worship. 

Thankfully, the band stay away from the whole slam nonsense and just stick to straight up death metal riffs. The drummer does a good job of working his way around the kit, but don’t expect anything too innovative going on. The bass is lost in the mix from the guitars, which have an incredibly over saturated distortion going on. No complaints from me, though, as they fit the vibe of the album quite well.

It’s kind of hard to point out individual tracks, as a lot of the material on here sounds the same. The only track that stands out is “Gore Bless You All”, simply because of its absolutely retarded title. 

This band have potential, that’s for sure. However, they still need some more time to find their own sound, as the sound on here definitely does not belong to them. Only after they’ve achieved that can they perhaps master their songwriting, and in which case you would be able to point out some individual tracks and riffs, because on here, you really can’t. Even the interludes remind me of Morbid Angel.

In conclusion, it depends on which side of the coin you’re stepping into this album from. If some blatant, Morbid Angel worship doesn’t bother you in the least, then by all means check it out. If you’re looking for innovation and a breath of fresh air, then look elsewhere. Personally, I will be checking out their next album for sure, because like I said, the potential is there for sure, and it will be interesting to see how and if they will evolve.

Rating: 5.5 out of 10