Review by JD on March 30, 2011.

Raise the horns and praise the unholy while impaling a weakened Christian on a spit over the brimstone fire of Hades. Sweden’s Thornium is back! One of the best Non-Norwegian black metallers are back and out for blood of innocent and for your souls.

Raw and surging aggression, thundering and very menacing riffs coupled with just the right touches of complete blackness through words and arrangement. Thornium explores the world of the unholiest ones... where angels will never ever venture. This Black Metal monster reminds me sort of Venom on speed with Bathory holding the needle... which is a complement.

With a wall of massive guitars, granite breaking bass licks and the shockingly ghoulish vocals, Thornium shows the world its darkest of thoughts and sadistic needs in every word and note played. Tracks like the brutal 'Virgin Destroyer Redeemer' or the king-maker 'I Am God' are just the tip of this Black Metal iceberg. It is not anything new, but the making of the standard better and stronger.

I like this album a great deal... and why not? It is darkness fuelled metal at its best, while still being familiar as well. I usually look for innovation in the music I listen and review but I also respond to any type of metal that is played really good. My response to Thornium’s "Fides Luciferius" - I raise my horns on high, and let the music overtake me into that netherworld in their minds.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Production: 8.5
Originality: 7.5
Overall: 9

Rating: 8.4 out of 10

Review by JD on March 30, 2011.

Raise the horns and praise the unholy while impaling a weakened Christian on a spit over the brimstone fire of Hades. Sweden’s Thornium is back! One of the best Non-Norwegian black metallers are back and out for blood of innocent and for your souls.

Raw and surging aggression, thundering and very menacing riffs coupled with just the right touches of complete blackness through words and arrangement. Thornium explores the world of the unholiest ones... where angels will never ever venture. This Black Metal monster reminds me sort of Venom on speed with Bathory holding the needle... which is a complement.

With a wall of massive guitars, granite breaking bass licks and the shockingly ghoulish vocals, Thornium shows the world its darkest of thoughts and sadistic needs in every word and note played. Tracks like the brutal 'Virgin Destroyer Redeemer' or the king-maker 'I Am God' are just the tip of this Black Metal iceberg. It is not anything new, but the making of the standard better and stronger.

I like this album a great deal... and why not? It is darkness fuelled metal at its best, while still being familiar as well. I usually look for innovation in the music I listen and review but I also respond to any type of metal that is played really good. My response to Thornium’s "Fides Luciferius" - I raise my horns on high, and let the music overtake me into that netherworld in their minds.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Production: 8.5
Originality: 7.5
Overall: 9

Rating: 8.4 out of 10

Review by JD on March 30, 2011.

Raise the horns and praise the unholy while impaling a weakened Christian on a spit over the brimstone fire of Hades. Sweden’s Thornium is back! One of the best Non-Norwegian black metallers are back and out for blood of innocent and for your souls.

Raw and surging aggression, thundering and very menacing riffs coupled with just the right touches of complete blackness through words and arrangement. Thornium explores the world of the unholiest ones... where angels will never ever venture. This Black Metal monster reminds me sort of Venom on speed with Bathory holding the needle... which is a complement.

With a wall of massive guitars, granite breaking bass licks and the shockingly ghoulish vocals, Thornium shows the world its darkest of thoughts and sadistic needs in every word and note played. Tracks like the brutal 'Virgin Destroyer Redeemer' or the king-maker 'I Am God' are just the tip of this Black Metal iceberg. It is not anything new, but the making of the standard better and stronger.

I like this album a great deal... and why not? It is darkness fuelled metal at its best, while still being familiar as well. I usually look for innovation in the music I listen and review but I also respond to any type of metal that is played really good. My response to Thornium’s "Fides Luciferius" - I raise my horns on high, and let the music overtake me into that netherworld in their minds.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Production: 8.5
Originality: 7.5
Overall: 9

Rating: 8.4 out of 10

Review by Brexaul on January 2, 2021.

Don’t judge a book by its cover, says the well-known proverb, but oh boy the common folk is wrong about this one. Beneath this extraordinary haunting piece of artwork by Mariusz Lewandowski hides an equally great musical masterpiece, a slight but very impressive step forward compared to the already fantastic The White Goddess of 2013.

So, Atlantean Kodex is back, six years after the album that allowed them to break through the underground scene and it with great joy that I discovered that they managed to further refine their sound to a point that The Course of Empire sounds the natural progress of a great band that carefully studied their next step and never overestimated their capabilities based on the hype that surrounded them. And a much-justified hype since all their releases are characterized by unparalleled quality both in regards to songwriting and the general presentation. Look at the double LP presentation, the inlay, the drawings, their lyrics, everything is top quality work.

Musically, not much has changed since their previous effort, but everything sounds better, the guitars sound thicker and more confident, the rhythm section is sturdy and pounding and the melodies and emotion are everywhere. They managed to present a huge wall of old-school yet very up-to-date sound that perfectly encapsulates the feeling of their unique songwriting. The epic doom metal of Solstice, Bathory (with hints and some easily recognizable nods to early Manowar) unravels in all its glory in a very ambitious album (both lyrically and aesthetically) in the 62 minutes of its duration. Markus Becker sounds even better this time around and the vocals are full of harmonies that further enhance his performance. There is a ton of emotion in every song and it is very interesting to see how the band manages to balance out the lyrical moments with the more primitive aspect of their songwriting, everything done tastefully and with a clear vision in mind. The album is slow, very heavy, dare I say ”darker” compared to anything the band has done so far, but there are hints of aggression here and there that make the overall experience easier to follow this time around and I believe this is where the evolution of the band is most apparent.

There are songs here like 'Chariots' with some fantastic clean guitar passages or 'People of the Moon' (or anything really) that all their “influences” would kill to include on their back catalogue and it is impressive how this band manages to incorporate those influences and filter them through their own characteristic sound. I believe the only flaw that one could argue is that the album is fairly long and the songs are 7+ minutes in their majority, but whoever spends his time listening to the album with a booklet in hand, will never notice how 62 minutes go by.

A true masterpiece, one of the albums that should create an army of new worshippers and along with Eternal Champion one of the 2 truly GREAT bands of traditional epic heavy metal. We are very lucky that such works see the light of day and are embraced by big labels and fans alike, as classic heavy metal really and urgently needs a new generation of heroes to look up to.

Favourite track: Chariots

Rating: 10 out of 10

Review by Brexaul on January 2, 2021.

Don’t judge a book by its cover, says the well-known proverb, but oh boy the common folk is wrong about this one. Beneath this extraordinary haunting piece of artwork by Mariusz Lewandowski hides an equally great musical masterpiece, a slight but very impressive step forward compared to the already fantastic The White Goddess of 2013.

So, Atlantean Kodex is back, six years after the album that allowed them to break through the underground scene and it with great joy that I discovered that they managed to further refine their sound to a point that The Course of Empire sounds the natural progress of a great band that carefully studied their next step and never overestimated their capabilities based on the hype that surrounded them. And a much-justified hype since all their releases are characterized by unparalleled quality both in regards to songwriting and the general presentation. Look at the double LP presentation, the inlay, the drawings, their lyrics, everything is top quality work.

Musically, not much has changed since their previous effort, but everything sounds better, the guitars sound thicker and more confident, the rhythm section is sturdy and pounding and the melodies and emotion are everywhere. They managed to present a huge wall of old-school yet very up-to-date sound that perfectly encapsulates the feeling of their unique songwriting. The epic doom metal of Solstice, Bathory (with hints and some easily recognizable nods to early Manowar) unravels in all its glory in a very ambitious album (both lyrically and aesthetically) in the 62 minutes of its duration. Markus Becker sounds even better this time around and the vocals are full of harmonies that further enhance his performance. There is a ton of emotion in every song and it is very interesting to see how the band manages to balance out the lyrical moments with the more primitive aspect of their songwriting, everything done tastefully and with a clear vision in mind. The album is slow, very heavy, dare I say ”darker” compared to anything the band has done so far, but there are hints of aggression here and there that make the overall experience easier to follow this time around and I believe this is where the evolution of the band is most apparent.

There are songs here like 'Chariots' with some fantastic clean guitar passages or 'People of the Moon' (or anything really) that all their “influences” would kill to include on their back catalogue and it is impressive how this band manages to incorporate those influences and filter them through their own characteristic sound. I believe the only flaw that one could argue is that the album is fairly long and the songs are 7+ minutes in their majority, but whoever spends his time listening to the album with a booklet in hand, will never notice how 62 minutes go by.

A true masterpiece, one of the albums that should create an army of new worshippers and along with Eternal Champion one of the 2 truly GREAT bands of traditional epic heavy metal. We are very lucky that such works see the light of day and are embraced by big labels and fans alike, as classic heavy metal really and urgently needs a new generation of heroes to look up to.

Favourite track: Chariots

Rating: 10 out of 10