Review by JD on April 21, 2014.

The Danish band Roarback has made a landing for me to review. Reading the bios and other things before listening, I was curious. Saying they take their cues from 80’ thrash and early 90’s death… I had to sit up and take note.

Combining early Slayer with early Sepultura, Roarback is old school thrash/death metal at its best, which comes across still sounding very fresh. Despite most of the band being only in their ridiculously early 20’s, Roarback pummels you with metallic riffs that are catchy and yet heavy enough to satisfy even the most jaded of metalhead.

The opener of the album, "Peoples Hate", has this almost punk sort of attitude set in a backdrop of straight ahead thrash metal. Slashing riffs and angry lyrics seem to meld into a weapon of mass moshing that is hard to ignore. Other tracks like nasty "Face The Sun" or the brutality laden "Warmachine" - are powerful as well, sending a bold statement that old school still possesses the power to kick our asses twenty times over.

With the twin attack of guitarists Andreas Rohde and Andreas Dixø, the spat venom of Dennis Ullehus with the Bass/drum battery of Mikkel Stender and Kåre Holm-Sørensen respectively, this band is one of the best at making Old School relevant again. It needs to be heard to be enjoyed, preferably with a cold beer.

Buy! Listen…! MOSH!!! Metal minions – you have your orders.

Rating: 9 out of 10

Review by Alex on November 30, 2019.

Doom metal coming from Brazil is not something I get to interact with often given its scene has been thrash and speed metal dominated for many years up to now, so when Pombajira's self-titled debut showed up, turning away from it was out of the question. If you were looking for some kind of ugly produced, raw and instrumentally candid doom metal with one foot outside of its circle playing tag with horror punk, Venom and Celtic Frost while predominantly doom metal, then you have stumbled upon the ideal release. I’ll admit the artwork did help in garnering my interest, but it was also that mystique attached to Brazilian culture that pushed it. Brazil is known to have rich customs and beliefs that often times come to be represented through all forms of their music; on Pombajira there is no exception. The name itself even without knowledge seems to reference something of occult folklore which is true; 'Pombajira' is indeed an Afro-Brazilian deity associated with female desire, beauty and sexuality among other things.

By attaching such a name to the band, it should come as no surprise occult imagery and themes would be ensued. Environment and upbringing usually come to influence the music most musicians make; hence the expectation is fulfilled. The trident lineup of T. Splatter (drums), Blizzard (guitars, bass) and HellSon Röcha (vocals, guitars) have approached their full length with a steady footing in pace. Most of what you will hear on Pombajira is slow to mid-tempo with their fastest and one of the favorites being 'Queen of the Night' slightly breaking away from the formula. Casually opening with 'Gira' the band quickly conjures the atmosphere with this guitar dominated instrumental. Though fairly basic, it does the job in setting the tone for 'In Reverence' by use of a track shaped in mimicking a stoner doom posture minus the fuzziness. With most, if not all tracks referencing Pombajira the deity, I did find a toggle among different moods occurring as each song tried to reflect certain aspects of her existence, ranging from sexuality, to domination, to her malicious and vengeful nature.

'The Lost Exit of Darkness' is centered on doom metal taking the quicksand-esque approach to fuel an insidious atmosphere. In addition to carrying a bare bones production, Pombajira's musicianship is not over the top, the drumming is like I would expect it to be in having more to do with melody support and pace keeping, the guitars have soloing moments ('Vital Lucifer', 'Queen of the Night', 'Malandro e Mulambo') while the vocals are raspy and find comfort in Tom G. Warrior's early Celtic Frost range and pattern occasionally. It's the reason that old school organic black/doom/heavy metal feeling is so dominant here. As mentioned earlier, a horror punk rock/metal vibe emerges on 'Queen of the Night' that I wish had been used more on the album due to how well it grooves and sits well with the rest of the songs and themes, given that sniff at new air did prove to be refreshing.

Pombajira is carefully paced through its 29-minute run-time but is far from nimble and maintains a rewarding roughneck feeling aimed at the jugular. However, the potential to expand/explode into other territories is there but for a start Pombajira will serve as a satisfactory introduction to the band and glimpse into Afro-Brazilian culture.

Rating: 7 out of 10