Review by Lynxie on October 18, 2022.

At first glance Vexillum’s pagan makeup may give rise to feelings of Elvenking and Brothers Of Metal. When in truth their sound is closer to what you would get if Dragonforce and Blind Guardian had a child. I admit that I’d started listening to this band on and off because their bassist is also in Freedom Call and Chris was featured in one of their songs. But I hadn’t realized what I’d missed until this album came out.

They had me at the second single, 'Sons Of A Wolf'. The banging riff, the powerful vocals and just the mega epic atmosphere on that song soon got me hyped over the album, and in the end, my great expectations were met - this is a fully epic folk power album with a rather Blind Guardian influenced sound. Taking the folksy moments into consideration, I feel fair to say this makes a very interesting listen.

Frankly speaking, this album took a more direct approach than Unum. None of that atmospheric leads, most songs simply meet you head on with a heavier-than-expected riff. The guitar is getting more love, since the solos have been added to a slightly ridiculous length, but they’re still enjoyable in terms of melody. I especially like the one in 'The Deep Breath Before the Dive'. Yet they did not throw away their folksy elements altogether, so be ready to hear the flutes, bagpipes and acoustic guitar weaved into the music. "Flaming Bagpipes" indeed, the Scottish pride nearly ran true here, since the instrument is everywhere. Most songs are of the same structure, but my praises definitely go out to the first track, 'Enlight The Bivouac', a 11-minute song simply striving for epicness. It’s got several mood changing moments as acoustic strumming appeared in between aggressive riffs, and their background singers add perfectly to the sheer force of the chorus. 'The Tale Of The Three Hawks' went for a happier, lighter tune. Personally I’d found the last track, the pure folk song 'Quel Che Volevo', somewhat of a letdown of the album’s vigor, but I’m sure there are metalheads out there who would appreciate the fun change of style.

I’ve always found the vocalist Dario Vallesi, a cleaner version of Hansi Kürsch. He really delivered his voice perfectly this time, his high notes are not so strained anymore. And the drums. Efisio Pregio keeps up a very, very impressive performance throughout this album, fast and energetic. If you like your drums like Dragonforce then you should definitely check this out.

So the songs are getting a bit boring by now, I’ve been replaying the album for some time to write this review, and since most songs are of the same structure they're starting to drag. But overall they are epic and fast, and hence enjoyable. A folk power release I believe would make it famous soon enough and stand firm in the test of time.

Highlights: 'Enlight The Bivouac', 'Sons Of A Wolf', 'Last Bearer's Song', 'Prodigal Son', 'The Tale Of The Three Hawks'

Rating: 8.6 out of 10

Review by Lynxie on October 18, 2022.

At first glance Vexillum’s pagan makeup may give rise to feelings of Elvenking and Brothers Of Metal. When in truth their sound is closer to what you would get if Dragonforce and Blind Guardian had a child. I admit that I’d started listening to this band on and off because their bassist is also in Freedom Call and Chris was featured in one of their songs. But I hadn’t realized what I’d missed until this album came out.

They had me at the second single, 'Sons Of A Wolf'. The banging riff, the powerful vocals and just the mega epic atmosphere on that song soon got me hyped over the album, and in the end, my great expectations were met - this is a fully epic folk power album with a rather Blind Guardian influenced sound. Taking the folksy moments into consideration, I feel fair to say this makes a very interesting listen.

Frankly speaking, this album took a more direct approach than Unum. None of that atmospheric leads, most songs simply meet you head on with a heavier-than-expected riff. The guitar is getting more love, since the solos have been added to a slightly ridiculous length, but they’re still enjoyable in terms of melody. I especially like the one in 'The Deep Breath Before the Dive'. Yet they did not throw away their folksy elements altogether, so be ready to hear the flutes, bagpipes and acoustic guitar weaved into the music. "Flaming Bagpipes" indeed, the Scottish pride nearly ran true here, since the instrument is everywhere. Most songs are of the same structure, but my praises definitely go out to the first track, 'Enlight The Bivouac', a 11-minute song simply striving for epicness. It’s got several mood changing moments as acoustic strumming appeared in between aggressive riffs, and their background singers add perfectly to the sheer force of the chorus. 'The Tale Of The Three Hawks' went for a happier, lighter tune. Personally I’d found the last track, the pure folk song 'Quel Che Volevo', somewhat of a letdown of the album’s vigor, but I’m sure there are metalheads out there who would appreciate the fun change of style.

I’ve always found the vocalist Dario Vallesi, a cleaner version of Hansi Kürsch. He really delivered his voice perfectly this time, his high notes are not so strained anymore. And the drums. Efisio Pregio keeps up a very, very impressive performance throughout this album, fast and energetic. If you like your drums like Dragonforce then you should definitely check this out.

So the songs are getting a bit boring by now, I’ve been replaying the album for some time to write this review, and since most songs are of the same structure they're starting to drag. But overall they are epic and fast, and hence enjoyable. A folk power release I believe would make it famous soon enough and stand firm in the test of time.

Highlights: 'Enlight The Bivouac', 'Sons Of A Wolf', 'Last Bearer's Song', 'Prodigal Son', 'The Tale Of The Three Hawks'

Rating: 8.6 out of 10

Review by Death8699 on September 23, 2018.

Brutal Swedish death metal in the vein of Entombed, though this one has a little more insane vocals. The guitars are heavy and the atmosphere totally grim, dark, depressing. This is one of their heavier releases. The old school Entrails reflected solely that of Entombed, almost a replica. But now it seems like they're venturing away from their roots and coming into their own. World Inferno is a combination of growling/screaming, insane guitars, pounding drums and furious tempos. The production quality on this is quite good. I think it does the band justice in that department, more so than past releases.

The music on this release is probably the highlight of the album. There are just so many fluctuations in the guitar riffs but the Swedish vibe is stil there. I think that they really did a good job in all areas. A fluctuation between vocal styles but the death metal never ceases to amaze me. I'm surprised not many people have found this band. I found them by accident. But I feel that I was bound to anyway. So yeah, the production quality, music, vocals, mixing and pure Swedish death metal was all superb. This is one of those albums you just can't get sick of. I say that because I've been listening to it for some weeks now and I'm still playing it.

I think the main difference as to their last few releases is that they've shied away from the total duplicate of Entombed and now are on the path of their own sound. Sure the guitars are still similar that's just the maybe (if they recorded there) Gothenburg type of recording. But they play death metal, not melodic death. Their music on World Inferno can't be compromised. I have nothing but good things to say about this release. Every track is good and dark. The atmosphere again is purely evil and the vocals enhance that sense of vibe. I would say that owning the physical CD now is showing the band that I have respect for them and what they do.

If you're still unsure about whether or not to check this out or not, I would say to go on Spotify and download it. You might be amazed right away because these guys are passionate at what they do. All the tracks on here are good so I can't single out any one that I like over the other. Or you can check YouTube for songs or maybe even the album is on there now. Nevertheless, the band has that certain likeness about them which draws you into their core of death metal. Their best one to date in my opinion. They just keep getting better and better whereas some bands regress. That's all I can say about that. Get this one immediately!

Rating: 9.5 out of 10

(Originally written for: http://www.secret-face.com)

Review by Death8699 on September 23, 2018.

Brutal Swedish death metal in the vein of Entombed, though this one has a little more insane vocals. The guitars are heavy and the atmosphere totally grim, dark, depressing. This is one of their heavier releases. The old school Entrails reflected solely that of Entombed, almost a replica. But now it seems like they're venturing away from their roots and coming into their own. World Inferno is a combination of growling/screaming, insane guitars, pounding drums and furious tempos. The production quality on this is quite good. I think it does the band justice in that department, more so than past releases.

The music on this release is probably the highlight of the album. There are just so many fluctuations in the guitar riffs but the Swedish vibe is stil there. I think that they really did a good job in all areas. A fluctuation between vocal styles but the death metal never ceases to amaze me. I'm surprised not many people have found this band. I found them by accident. But I feel that I was bound to anyway. So yeah, the production quality, music, vocals, mixing and pure Swedish death metal was all superb. This is one of those albums you just can't get sick of. I say that because I've been listening to it for some weeks now and I'm still playing it.

I think the main difference as to their last few releases is that they've shied away from the total duplicate of Entombed and now are on the path of their own sound. Sure the guitars are still similar that's just the maybe (if they recorded there) Gothenburg type of recording. But they play death metal, not melodic death. Their music on World Inferno can't be compromised. I have nothing but good things to say about this release. Every track is good and dark. The atmosphere again is purely evil and the vocals enhance that sense of vibe. I would say that owning the physical CD now is showing the band that I have respect for them and what they do.

If you're still unsure about whether or not to check this out or not, I would say to go on Spotify and download it. You might be amazed right away because these guys are passionate at what they do. All the tracks on here are good so I can't single out any one that I like over the other. Or you can check YouTube for songs or maybe even the album is on there now. Nevertheless, the band has that certain likeness about them which draws you into their core of death metal. Their best one to date in my opinion. They just keep getting better and better whereas some bands regress. That's all I can say about that. Get this one immediately!

Rating: 9.5 out of 10

(Originally written for: http://www.secret-face.com)