Review by Fernando on April 3, 2022.

If there's one subgenre within metal which has the most, "infamous" reputation that would definitely be "war metal". Within the surprisingly nebulous tag of "black/death" metal or blackened death metal, we have the style pioneered by the mighty Blasphemy and popularized by Revenge, and in recent years, people are paying attention to the war metal scene of India. Which brings me to today's subject, the band Aparthiva Raktadhara and their debut album Adyapeeth Maranasamhita (আদ্যাপীঠ মরণসংহিতা), to be released through Iron Bonehead.

Aparthiva Raktadhara, who for the sake of brevity I'll refer as AR, are indeed a war metal band, though they describe themselves as "Kalikshetra Death Metal", who came from the Kolkata scene which has pretty much become a hotbed of war metal in recent years. They caught a lot of people's attention with their debut release Agyat Ishvar (অজ্ঞাত ঈশ্বর), which displayed a raw and aggressive style of war metal that also leaned heavily into death metal-ish riffs and an oppressive atmosphere. Four years later and with their debut the band have successfully sharpened and tempered their style into a deadly blade.

The main thing people that were already familiar with AR, and even newcomers is the production. The band had a massive improvement in sound quality and audibility. That's something to be expected, since their previous and only other release was basically a demo that sounded accordingly, but that doesn’t mean the band lost any grit or edge. Adyapeeth Maranasamhita (আদ্যাপীঠ মরণসংহিতা) is still a relentless and punishing record that holds no bars, takes no prisoners and the production while much more audible than their debut still has that oppressive and murkiness that enanches the music's chaotic brutality. The speed, intensity and aggression the band displayed in their debut are still present (if not stronger than before) and furthermore the band's playing and technical prowess has also improved significantly. Their death metal influence is solidified and while this might be a cliche heap of praise, the best part of this records are the riffs courtesy of band member Takshaka, who also handles the bass. The guitar riffs steal the show, they keep the raw brutality that every good war metal record should have, and which was a highlight of the earlier EP, but with much more finesse and skill, which makes the riffs more complex and technical, and as such, the music sounds more intense and overwhelming, without devolving into distorted noise.

The drumming is also excellent, and like the guitars, it's a blend of raw aggression with technical prowess. V. Hydra truly displays the full extent of his drumming and it complements the music accordingly. The bass is the only instrument that doesn't shine as bright, but then again, it doesn't really need to, Takshaka still managed for the bass to match his excellent guitarwork, so while the seeming absence of bass is a personal gripe, I can't fault the band for it. Which now brings me to the vocals of Nahas, which are mostly the same as their demo, but then again, that's all the band needed. Nahas has a very distinct raspy growl which suits the band's music, but it also completes the band's overall sound. While war metal vocalists usually switch between a high pitch screeches or very low pitch growls, Nahas is in an ideal inbetween where his vocals sound demonic enough to be recognizable, but are also in line with the overall performance of each song, and that's one of the strongest aspects of this record, and of AR as a whole. The band are a unified and well oiled machine, as each member is an integral component of the music, the only real gripe is the near inaudible bass, but as I stated, the rest of the band's performances compensate for it.

Overall Aparthiva Raktadhara did everything a band should do with their first full legnth album, display all their talents, improve upon the shortcomings of their earlier releases and expand upon their better qualities. My only disclaimer is of course approach this record's music for what it is, a grim and oppressive style of metal that's only meant for those already in the know. The band may have polished their sound from their demo, but they're still an entity of sonic devastation.

Best tracks: 'Gnostic Arousal Of Shava Lingam', 'Obsidian Noose Of Naag-Paash: Ominous Ophidian', 'Nada Of Creation Collapses Onto Primal Bindu'

Rating: 8 out of 10

Review by Alex on May 10, 2020.

Gaze in wonder, fright and awe as the necromancer practices his charm of ethereal mysticism under the incense lit full moon with startling precision and wisdom. The caller of crepuscular things jots down 6 cursed canticles of his dark undertaking on Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels. Appearing to be another one of those solo raw black metal projects, however vast and oversaturated the sub-genre may be Dodenbezweerder stands clear of the mediocre and instead strikes with a necromantic diligence and funereal beatitude. In totality, the record is an experience that once committed to excites, entrances, entertains and arouses many deep sentiments.

In retrospect I recall some few releases branched under raw black metal having quite a bassy or thick production that if thought about is opposite to the shrieking and sharp sound primitive black metal has been primarily associated with. However, with the bass now becoming a more prominent characteristic of the sub-genre one could say an evolution of sorts is indeed active. Also, the cavernous type of yell and growl has become perceivable more utilized in raw black metal and black metal this sort. Gasping voices heard in gothic metal and a form of obscure murmuring has also been added to the cosmetic palette of raw black metal. All of the mentioned attributes find themselves on Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels in-turn giving the music a multi-faceted feel that reciprocating-ly adds to the interest of the final product. Though it is not to be mistaken for a replacing of key or cornerstone elements, certain staple/traditional qualities of the medium are kept in place to ensure validity and sincerity, as the shrieking vocals, some degree of abrasive reverb, primitive drumming and atmosphere are held-fast to. On the thought of atmosphere, ambient currents run without restraint through Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels; largely undeniable and with conspicuous exhibition they appear ever glamorously attired in frightening, depressed, mystical and conquering garments ever adding to the profound nature of 'Als het vuur van mijn toorn is ontstoken zal het branden tot in het diepste dodenrijk','Glimmende zwaarden door de mist van het evangelie' and the harshly-unwelcoming 'Zalf de voeten van het hoofdeloze lichaam'.

With so much occurring on the record already, malefic keyboard synth and organ tones (at select times) are added as a glazing coat to the music on the record. At times loud in the mix such as on the title track and other instances as an atomic, yet still an identifiable feature on 'Glimmende zwaarden door de mist van het evangelie'. Yet a meditative state is still somehow instigated and kept active despite the many colliding factors on 'Vrees de toorn van de wezens verscholen achter majestueuze vleugels' that for a debut undertaking nails the climate of the music thus matching what the artwork evinces. You might even add that the cover art advertises with accuracy what's to be expected, a thing that can't be often said about other albums within the same genre. On Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels however, all aspects appear connected therefore resulting in a completionist charm.

Something this sort has that gatefold vinyl quality, and I would not be surprised to see it released as such but I don't think that will be the case, as to my knowledge it's only set to be offered digitally, on CD and as a single sleeve 12". A wax addict could only wish the former is the case because Vrees De Toorn Van De Wezens Verscholen Achter Majestueuze Vleugels is an honest and dignified attempt at resurrecting and respectably modifying the essence of raw black metal.

Rating: 8.6 out of 10