Review by Allan on March 6, 2004.

Neurosis has always been a band that I've held the utmost respect for. I won't deny that before I even heard the aptly titled "Neurosis & Jarboe," their latest collaboration piece with Jarboe (Swans), I had no question as to whether or not it would be good. Obviously, it did not disappoint. Furthermore, the product that these wonderful musicians have churned out is easily one of the year's most fulfilling albums.

"Neurosis & Jarboe" is not the same Neurosis that we remember last. "Neurosis & Jarboe" is a momentary side step for the band; an opportunity to release something a bit different. However, it's readily apparent that this is indeed something that has graced the hands of Neurosis (and let's not forget Jarboe, who adds a whole dimension to the music). If one were forced to simplify something of such large stature, "Neurosis & Jarboe" sounds like Neurosis decided to let their ambient, experimental sound project Tribes Of Neurot merge with the devastating, apocalyptic sound of older Neurosis, and the brooding and often mellow sounds of their last piece of art, "A Sun That Never Sets."

Much of "Neurosis & Jarboe" has been painted with electronics. It's difficult to find a decent portion that is free of different effects added to the music to help color it and add a bit of depth. Put simply, the effects are an essential piece of the puzzle. However, do not mistake "Neurosis & Jarboe" for an exercise in experimentalism or daunting sound-scapes. There are plenty of moments where Neurosis conjure up an intense wave of distorted guitars, drums, vocals, and yes, effects. Of course, calmer moments are easy to find, as well as that happy medium. It doesn't hurt to mention that much of the material on "Neurosis & Jarboe" is arguably some of the most haunting and atmospheric music they've written to date.

Jarboe's vast collection of vocal personalities and styles, as well as the attention she pays to dynamics, are an unforgettable element that takes place in this album. The layers of vocals – including whispers, screams, spoken, a quite angelic clean voice, and even a roar here and there – make for quite an interesting and diverse listening experience. Whether one enjoys Jarboe's vocals or not, objectively speaking, it's difficult not to admit that she puts forth emotions far more intense than most vocalists can dream of, and she has strong control over her vocals. Jarboe's presence dominates this album throughout. In case you're wondering, Steve Von Till and Scott Kelly's vocals are only used occasionally as backing vocals, the most prominent song being the album closer 'Seizure.'

"Neurosis & Jarboe" fits quite well in Neurosis' catalogue, as well as Jarboe's. If you enjoy either artist's music, "Neurosis & Jarboe" is a safe bet. As I said, this is easily one of the year's most satisfying releases, and an excellent album to hold over Neurosis fans that are waiting in agony until their next album, or those interested in that artistic output of Jarboe.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 9
Production: 7.5
Originality: 9
Overall: 9

Rating: 8.7 out of 10

Review by Alex on May 28, 2020.

'Don't give into the fear', take a chance with newly formed Blood Star featuring guitarist Jamison Plamer of Visigoth. If that's not enough for you to overcome your worries about The Fear sucking then listen to some of Visigoth's work and I'm sure your initial thoughts would have changed by now. Classic heavy metal this sort needs a real good vocalist to direct the tunes, and that they have. Madeline Smith sounds phenomenal on this debut 2 track EP, you take her vocal temperature and delivery, combine it with Palmer's riffing and songwriting and you have one of the best new heavy metal leather outfits of 2020.

Featuring only 2 tracks to get your tongues wet for a full-length hopefully sometime soon, Blood Star really shoot for the skies with opening Track 'The Fear' that sprouts massive leading vocals with controlled highs and moderate to mid-ranged lows. Madeline is the next big female underground heavy metal vocalist and having been given only 2 tracks to make her presence known is yet another notable and praiseworthy facet. She sounds remarkable, as though singing is the only thing she had ever known how to do. Then you get the those tingling guitar lines and solos from Palmer to support Madeline as she climbs the heavy metal mountain, what's not to like here?

Then there's the mid-paced, deserted, reflective and pessimistic 'Tortured Earth' that shifts from the empowering posture of 'The Fear' yet still managing to conjure musical puff through the soaring vocals of Madeline and the storming lead and solo of Palmer. Long story short, Blood Star kicks ass and come May 29th when you get the EP on whichever format, you'll quickly understand why.

Rating: 8.7 out of 10