Review by Jack on March 24, 2003.

Kicking off with 'The Cat and the Snake,' everything points to that this is a record that is firmly planted in the shoes of sludge and stoner rock. You can't really get much material that is this gloomy and down-trodden.

Rwake have been kicking around the metal scene since 1996 gaining some notoriety through their work in the field, and since 1999 have managed to play twice at the Milwaukee Metal Fest attaining good reviews from folks the world over. "Hell is a Door to the Sun" is album number two for Rwake and from this reviewer's point of view it is a pretty decent listen.

Rwake are a band that any fan of the 'lesser' known areas of metal (hardcore, sludge, stone, doom and general kookiness) will get into as the opening riff starts up. The music generally (using that term loosely) floats around a doom/sludge stratosphere for the most part, but it is here where the normality stops. Vocalist CT is certainly schooled in the arts of hardcore/noisecore and brings a new element to the sounds of Rwake throughout "Hell is a Door to the Sun." There are some beautiful moments on "Hell is a Door to the Sun"; material you wouldn't really find on a stoner/sludge album. Which I guess brings me to my main point of why you want to look up Rwake; the acoustic moments, the smooth electronic ambience, the chaotic doom, the slower than slow sludge, the hardcore vocals. Everything you would expect to find in other circles of metal are inserted into the Rwake listening experience, making for a wholesome, yet ultimately unpredictable experience. One that I recommend.

Bottom Line: Rwake certainly cover a lot of varied material which will hopefully open up other bands in the sludge/stoner scene to a fresh take on things. "Hell is a Door to the Sun" is a record that is not afraid to knock on the door of fresh innovation and variation.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 8
Production: 7.5
Originality: 8
Overall: 7

Rating: 7.9 out of 10

Review by Alex on November 16, 2021.

I will not even dare try to delve into the lyrical concept of Shout Demise by Italy's medicated UNCTORIS. Whatever it is they speak of on their debut full length, one would prefer to not understand as such may be his own mental undoing. And though musically, what is played is identifiable, albeit black/death/doom, but when tossed into the same cauldron and stirred, the face of the creature we know takes on a new, mysterious appearance. Avant-garde, experimental, call it what you may, Shout Demise is unsettling, unorthodox, upsetting yet strangely beautiful.

These entries break conventional motions and process to dabble in occult ideals and philosophies. The music (if that's what you'd prefer to reference it as) is terrifying, uncertainty rides every riff, every blast of the drum kit and shout, you go from just listening to having fear toy with you. Adrenaline filled movements jump out from nowhere, whilst poignant yet equally creepy sections raise their submerged heads slowly from the rampant rage. 'Violet Velvet' does this to remarkable effect, creating an intense atmosphere with ominous echoing sounds, acoustic auras, and unsettling voices; then from moments of sheer fright and obscurity, tumbling down upon you is a torrent of noise, technical, abrasive and chaotic objects.

Absolutely amazing what they are able to do on 'Non Tornare', fuse a tender bluesy noire jazz saxophone solo with black/death metal riffing breathing underneath the bouquet of bountiful beatitude. This ladies and gentlemen is for me one of the best unorthodox metal compositions I have heard this year, standing parallel to a track on Stargazer's Psychic Secretions (let the inquisitive seek out the song). And even more trouble comes knocking at your gates with 'Rites Of Grey isolation' and 'Is An Archaic Chamber'. Better experienced than explained, hence I bring this thing to a close in order to avoid an irreversible plummet into a mentality ever unforgiving, you should too.

Rating: 8.7 out of 10

Review by Alex on November 16, 2021.

I will not even dare try to delve into the lyrical concept of Shout Demise by Italy's medicated UNCTORIS. Whatever it is they speak of on their debut full length, one would prefer to not understand as such may be his own mental undoing. And though musically, what is played is identifiable, albeit black/death/doom, but when tossed into the same cauldron and stirred, the face of the creature we know takes on a new, mysterious appearance. Avant-garde, experimental, call it what you may, Shout Demise is unsettling, unorthodox, upsetting yet strangely beautiful.

These entries break conventional motions and process to dabble in occult ideals and philosophies. The music (if that's what you'd prefer to reference it as) is terrifying, uncertainty rides every riff, every blast of the drum kit and shout, you go from just listening to having fear toy with you. Adrenaline filled movements jump out from nowhere, whilst poignant yet equally creepy sections raise their submerged heads slowly from the rampant rage. 'Violet Velvet' does this to remarkable effect, creating an intense atmosphere with ominous echoing sounds, acoustic auras, and unsettling voices; then from moments of sheer fright and obscurity, tumbling down upon you is a torrent of noise, technical, abrasive and chaotic objects.

Absolutely amazing what they are able to do on 'Non Tornare', fuse a tender bluesy noire jazz saxophone solo with black/death metal riffing breathing underneath the bouquet of bountiful beatitude. This ladies and gentlemen is for me one of the best unorthodox metal compositions I have heard this year, standing parallel to a track on Stargazer's Psychic Secretions (let the inquisitive seek out the song). And even more trouble comes knocking at your gates with 'Rites Of Grey isolation' and 'Is An Archaic Chamber'. Better experienced than explained, hence I bring this thing to a close in order to avoid an irreversible plummet into a mentality ever unforgiving, you should too.

Rating: 8.7 out of 10

Review by Alex on November 16, 2021.

I will not even dare try to delve into the lyrical concept of Shout Demise by Italy's medicated UNCTORIS. Whatever it is they speak of on their debut full length, one would prefer to not understand as such may be his own mental undoing. And though musically, what is played is identifiable, albeit black/death/doom, but when tossed into the same cauldron and stirred, the face of the creature we know takes on a new, mysterious appearance. Avant-garde, experimental, call it what you may, Shout Demise is unsettling, unorthodox, upsetting yet strangely beautiful.

These entries break conventional motions and process to dabble in occult ideals and philosophies. The music (if that's what you'd prefer to reference it as) is terrifying, uncertainty rides every riff, every blast of the drum kit and shout, you go from just listening to having fear toy with you. Adrenaline filled movements jump out from nowhere, whilst poignant yet equally creepy sections raise their submerged heads slowly from the rampant rage. 'Violet Velvet' does this to remarkable effect, creating an intense atmosphere with ominous echoing sounds, acoustic auras, and unsettling voices; then from moments of sheer fright and obscurity, tumbling down upon you is a torrent of noise, technical, abrasive and chaotic objects.

Absolutely amazing what they are able to do on 'Non Tornare', fuse a tender bluesy noire jazz saxophone solo with black/death metal riffing breathing underneath the bouquet of bountiful beatitude. This ladies and gentlemen is for me one of the best unorthodox metal compositions I have heard this year, standing parallel to a track on Stargazer's Psychic Secretions (let the inquisitive seek out the song). And even more trouble comes knocking at your gates with 'Rites Of Grey isolation' and 'Is An Archaic Chamber'. Better experienced than explained, hence I bring this thing to a close in order to avoid an irreversible plummet into a mentality ever unforgiving, you should too.

Rating: 8.7 out of 10

Review by Alex on November 16, 2021.

I will not even dare try to delve into the lyrical concept of Shout Demise by Italy's medicated UNCTORIS. Whatever it is they speak of on their debut full length, one would prefer to not understand as such may be his own mental undoing. And though musically, what is played is identifiable, albeit black/death/doom, but when tossed into the same cauldron and stirred, the face of the creature we know takes on a new, mysterious appearance. Avant-garde, experimental, call it what you may, Shout Demise is unsettling, unorthodox, upsetting yet strangely beautiful.

These entries break conventional motions and process to dabble in occult ideals and philosophies. The music (if that's what you'd prefer to reference it as) is terrifying, uncertainty rides every riff, every blast of the drum kit and shout, you go from just listening to having fear toy with you. Adrenaline filled movements jump out from nowhere, whilst poignant yet equally creepy sections raise their submerged heads slowly from the rampant rage. 'Violet Velvet' does this to remarkable effect, creating an intense atmosphere with ominous echoing sounds, acoustic auras, and unsettling voices; then from moments of sheer fright and obscurity, tumbling down upon you is a torrent of noise, technical, abrasive and chaotic objects.

Absolutely amazing what they are able to do on 'Non Tornare', fuse a tender bluesy noire jazz saxophone solo with black/death metal riffing breathing underneath the bouquet of bountiful beatitude. This ladies and gentlemen is for me one of the best unorthodox metal compositions I have heard this year, standing parallel to a track on Stargazer's Psychic Secretions (let the inquisitive seek out the song). And even more trouble comes knocking at your gates with 'Rites Of Grey isolation' and 'Is An Archaic Chamber'. Better experienced than explained, hence I bring this thing to a close in order to avoid an irreversible plummet into a mentality ever unforgiving, you should too.

Rating: 8.7 out of 10