Review by Felix on December 29, 2019.

Let me take you on a journey to the Nordkarpatenland, the land that we call Slovakia today. One of the most unorthodox groups of today, Malokarpatan, is back with its second album. Some call their style black metal, but due to many unusual ingredients (cow bells and more) and unpredictable twists and turns of their compositions, I think we have to be careful with any kind of category. Folkloric elements are only logical in view of the album's title, but strange choirs, for example at the beginning of the fourth track - I feel free to avoid the overlong song names - add an eerie touch as well. High speed outbursts are rare and icy leads do not occur. The band prefers to walk its own, pretty tortuous paths through the haunted forests of their home country. A dark guitar sound and the imperious, sinister lead vocals lay the foundations for a metallic work, although the band does not shy away from extraordinary intros or hard rock riffing. Big parts of the guitar work of the fifth track could work in a totally different context. But on Nordkarpatenland, they rather provide a puzzle. However, there are many other songs which announce the song-writing skills of the talented formation. Just let me introduce you to the sixth track. If we decode the formula of this exemplary number, you will better understand the special magic of Malopkarpatan's art. By the way, it is a brilliant track.

First of all, one has to be aware of the fact that Malokarpatan love abrupt breaks which give them the chance to convey very different moods in just one song. Already the first track after the short intro reflects this passion of the band. Naturally, the sixth track also consists of very different sections. Its beginning could be the soundtrack of a fairy tale, before the guitars set in and form surprisingly straight and pretty fast verses. Tempo changes are well embedded, and everything seems to go forward as usual. But all of a sudden, an extremely weird, very melodic intermezzo comes through. Male and female voices accompany a soft yet horrific, Kind Diamond-like keyboard line. The metallic instrumentation returns, and a somewhat nested guitar line brings the excellent highlight to an end. Indeed, Malokarpatan know how to connect a meticulous concept with a touch of insanity and they are able to do so without killing the spontaneity of their tunes. (Incidentally, I recommend watching a live video of this song on YouTube from 2016 - the lead singer seems to be totally drunken and plays the metal jester in a very majestic manner. His band mates look like East European musicians who think that the Iron Curtain is still existing. Impressive!)

Despite their very individual approach, Malokarpatan also feel free to borrow some Maiden-esque lines (from "Only the Good Die Young" and roughly 10.000 more) in order to give the seventh song a pretty melodic touch. Yet they combine it with so many different further elements, for example a synth intermezzo which creates a sacral aura, that the Maiden quotation remains an almost incidental gag. Generally speaking, Malokarpatan's music has so many facets - it is really exciting. The bluesy / hard rocking guitars that show up every now remain the only component which spoils the enjoyment. Fortunately, the archaic, the odd, the harsh, the spooky, the demonic and the down-to-earth vibrations and melodies keep the upper hand. Apart from this, the formation seems to be a well harmonizing unit that is able to generate its own special charm. On the whole, it may be stated that the music deserves 75%, but the originality of the musical approach forces me to give a slightly higher rating. No doubt, the music is the adequate musical backdrop for a journey to the Nordkarpatenland, a region where witches, dangerous monarchs and black hens carry out their nefarious deeds.

Rating: 7.9 out of 10

Review by JD on August 8, 2011.

When a band is named what is in Latin ‘Death is the beginning’... you know that there is something to it. Finnish Melodic Death Metallers are named as such. Mors Principium Est is a band that already has a leg up on things, when you can use Latin so wonderfully. Now lets see if this massive metal-inspired beast has some teeth for the attack.

Melodic Death Metal is what this bands does, but it is a pale explanation for them. With massive riffs and an uncanny ability to write amazing melodies and lyrics Mors Principium Est is Death Metal with a little more going for them than what they play. They are a lurking musical beast out to pound you into submission.

With the power of a nuclear battleship fully loaded but the finesse of a classical grand master pianist - these guys produced some of the best out there. Just listen to the tracks like the attacking power of 'Pure', the nasty riffing maelstrom of 'Two Steps Away' or take in the amazing lyrical and darkened trip as told by 'The Glass Womb'. The band creates some of the most memorable, nasty and truly moving metal that I have come across... truly spectacular in all areas of the music.

I cringe at what I am going to rate this album at. This is rare for me to do so. Mors Principium Est is a rare breed of metallic monster, they have a talent that cannot be calculated by mere mortals like us. They have finally made the nearest thing to a perfect album in this genre. Move over Children Of Bodom, Mors Principium Est has stomped on your keyboard cheesiness - and taken the Death Metal crown back to what Death truly is all about.

Categorical Rating Breakdown

Musicianship: 10
Atmosphere: 10
Production: 10
Originality:10
Overall: 10

Rating: 10 out of 10

Review by JD on August 8, 2011.

When a band is named what is in Latin ‘Death is the beginning’... you know that there is something to it. Finnish Melodic Death Metallers are named as such. Mors Principium Est is a band that already has a leg up on things, when you can use Latin so wonderfully. Now lets see if this massive metal-inspired beast has some teeth for the attack.

Melodic Death Metal is what this bands does, but it is a pale explanation for them. With massive riffs and an uncanny ability to write amazing melodies and lyrics Mors Principium Est is Death Metal with a little more going for them than what they play. They are a lurking musical beast out to pound you into submission.

With the power of a nuclear battleship fully loaded but the finesse of a classical grand master pianist - these guys produced some of the best out there. Just listen to the tracks like the attacking power of 'Pure', the nasty riffing maelstrom of 'Two Steps Away' or take in the amazing lyrical and darkened trip as told by 'The Glass Womb'. The band creates some of the most memorable, nasty and truly moving metal that I have come across... truly spectacular in all areas of the music.

I cringe at what I am going to rate this album at. This is rare for me to do so. Mors Principium Est is a rare breed of metallic monster, they have a talent that cannot be calculated by mere mortals like us. They have finally made the nearest thing to a perfect album in this genre. Move over Children Of Bodom, Mors Principium Est has stomped on your keyboard cheesiness - and taken the Death Metal crown back to what Death truly is all about.

Categorical Rating Breakdown

Musicianship: 10
Atmosphere: 10
Production: 10
Originality:10
Overall: 10

Rating: 10 out of 10

Review by Carl on July 7, 2022.

Does that artwork remind you of Nocturnus's "Thresholds" as well? It certainly does remind me of it. Seeing this artwork actually gives a pretty good idea of what to expect of Rude's most recent offering, presenting the listener with a cool dose of competent old school death metal with a technical edge to it.

Rude has never been a band that relied on velocity very much, and on this release faster parts only make some occasional appearances, leaving more room for the cool, at times even jazzy riffing and excellent musicianship. Their style reminds me of albums like "Human" by Death and the first two albums of Gorguts and Atheist. Another reference here is "Testimony of the Ancients" by Pestilence, not only because of the music, but the vocals of Yusef Wallace sure sound familiar, keeping the middle between Patrick Mameli and Martin Van Drunen. The music certainly has a technical edge to it, but the band knows well enough how to keep things accessible, and not let the music deteriorate into tiresome wank. The compositions are well-played offerings of early 90's mid-tempo death metal, and I would like to make a special mention of the bass player. His performance is a great contribution to the music, as he reminds me of Steve DiGiorgio's work on the aforementioned "Human". Together with the above-par performance of both guitarists, this makes for an interesting and enjoyable dose of death metal with a technical edge.

There is some critique I have though, and that is that the percussion has to take somewhat of a backseat to the guitar and bass parts, something that does make the whole sound a bit clinical. Also I have to admit that perhaps a bit more uptempo parts wouldn't have hurt as well. I get easily bored by music that moves at a primarily mid-tempo pace, but because of the good compositions, excellent playing and the short duration of this EP, boredom is kept out of the door. Although I don't think 45 minutes of this would have kept me interested.

To conclude: if you were into their previous stuff, this should be right up your alley, and that goes for those into the bands and albums mentioned above as well. A good offering by a good band, nothing more, nothing less.

Rating: 7.5 out of 10