Review by Tobias on October 9, 2001.

I must admit, the first time I heard Brick Bath, I pretty much dismissed them as the very loud children of Pantera. While this assessment is not entirely off the mark, let me give you a cliché beating by saying, credit certainly must be given where it’s due.

Brick Bath has exactly the kind of muscle I look for in metal. These guys have songs you can identify, even in all the rage they like to batter their listeners with. This is chunky metal right to the core, the type of stuff I’ve wanted to hear much more of, particularly with the massive flood of European metal in recent years.

While this band may produce music well fit to a “Best of Ultimate Fighting Championship” video, the song (not sound!) production is a little raw at times, particularly during the second half of the disc when it starts to feel as if you’ve been beating a corpse against a bed of gravel for a little too long.

Every aspect of this disc has definite pros and cons, for instance, the guitars are for the most part, mean, buff and prepped to beat all ass, however, there are times when riffing starts to sound ripped from previous tracks or that some of the licks come across as slightly tired Dimebag Darrell tricks. The drumming too is pretty damn beefy, but it too can on occasion lose its momentum. But this is to be expected, because what you have here is a great band trying to do everything by themselves. This band deserves far more than many others flagship treatment on a good metal label.

Bottom Line: If you’re tired of waiting on Pantera to put out another Vulgar Display of Power, you’ll sport wood before the third track is done on this disc.

Rating: 6.5 of 10

Review by Kostas on July 28, 2023.

With Rotting Christ having played from grindcore to atmosphetic gothic metal, I bet no one was sure about what to expect after the experimental Sanctus Diavolos. Apparently, the band decided to follow an aggressive melodic death metal path. Of course, they included many other elements in as well and as an outcome of musical maturity, Theogonia proved to be one of Rotting Christ's best releases ever.

This is an album that makes you want to headbang from the very first minute. The vocals of Sakis have gained much depth and his vocal strenghth, together with the insane rifts and solos create a very solid, primitive and enjoyable sound. All the songs bear a fighting aura and songwriting is very clever, despite the repetitions in several rifts. Of course, it is the folk elements and some non-english lyrics that grant this record its exotic identity and make the listener travel to foreign cultures through the music. Especially in songs like 'Threnody' or 'Nemecic', where images of ancient forgotten cities and oriental tales are brought to mind. Meanwhile, we need to mention that Themis finally seems to have become a good drummer, with drum lines offering a powerful background rhythm to every song.

So, everything sounds good, you'll think. Well, no matter how much I love Theogonia, I have to talk about its downside as well. The problem with this album is that many songs sound similar and at times it gets tiring. Yes, the lyrics are very well-written and the traditional instruments work as a bonus. But, musically talking, everything is literally so fast and energetic, I really felt it needed one or two slower or maybe more subtle songs. Maybe an interlude? This, of course, may be no big deal to anyone who wants to mosh 'till death, but what I am saying is this record lacks some variety.

Don't get me wrong, Theogonia is an amazing album which combines high quality extreme metal with myths, ancient stories and traditional influences here and there. In addition, mixing and mastering are better than ever this time and contribute to a crystallic and even stunning sound. Definitely a highlight of Rotting Christ's discography, but also a record that could get over 90% if it was composed based on more ideas. Plus I have to complain about the lame cover artwork once again.

Rating: 8.5 out of 10

Review by Tomek on March 11, 2007.

Rotting Christ is not a band that I really paid attention to, but their newest creation "Theogonia" has definitely and irrevocably changed my opinion about them. After the very first time I listened to this album, I knew right away that it will stay in my CD player for a longer period of time.

Throughout the whole album, the creativity and complexity of music kept me on the edge of my seat. All of the songs on "Theogonia" have something in common, yet each and every piece has its own character, and each of them leaves a permanent imprint in your mind. The raw clarity of guitars and deep bass are intertwined with Sakis' raspy growls and occasionally spoken word passages. In the midst of all that lingers a middle-eastern atmosphere created by the use of synths, choirs and haunting guitar solos. The addition of George Bokos (guitar) has definitely modified the sound, allowing guitars to become more audible and gave them the 'up-front' effect and more distinctive harmony. The drummer has outdone himself; drumming is very fast, articulate and really adds to the overall spirit of the album, creating almost a tribal vibe. Overall production and mixing exceed my highest expectations - all of the instruments are equally audible, giving you a chance to discover something new and exciting every time you listen to it.

"Theogonia" is definitely my Album of the Month at this moment, but the more I listen to it, the more I like it, and it's becoming a serious contender to become the Album of the Year. Don't just take my word for it - go out and get it - it's worth the money.

Categorical Rating Breakdown

Musicianship: 9
Atmosphere: 9
Originality: 9
Production: 9
Overall: 9

Rating: 9 out of 10