Review by Felix on December 20, 2022.

First things first, Graceless from the Netherlands still play death metal. They did not change their style, not the smallest detail. I admit this is no surprise – and its consequence is that there are also not many surprises to find on Chants From Purgatory. But predictability is not bad per se and an experimental mentality is no value in itself. The four-piece does what it likes to do and so I score first plus points in terms of integrity. The production adds more positive aspects. Album number three sounds extremely heavy, tight and direct. Its guitar sound is not ridiculously low-tuned, but still brutal and voluminous. But to avoid misunderstandings, I have to mention that this sound does not exclude desperate, melancholic or even melodic tone sequences. Finally, everything is well-balanced, especially the double bass does not lack pressure.

As I sad before, the album does not hold many surprises, but the opener offers an unexpected turn. The main part of the slow-moving and smoothly flowing 'Giants' forms already a worthy introduction to the full-length, but the song achieves some extra percent of quality after the break at 4:13 and the following, highly dynamic section. It marks a great contrast to the laboriously advancing first section. This strong opener has to fight with 'Saint' for the crown, because this song is another perfect steamroller with highly appreciated double bass thunder. Graceless plough slowly and with maximum effort through the crusted earth. The minimalist melody lines arise out of nowhere and quickly crumble back to dust and ashes, but not without first leaving an impressive trail. Words and music go perfectly hand in hand and already the solo at the beginning reflects the fatalistic state of mind of the “Saint (of Treason)”.

The remaining tracks deliver safety first death metal. Do not get me wrong, safety first is always a good motto. Graceless avoid weak moments and stale parts. Additionally, they have a knack for compactness, the songs always come directly to the point and do not bore with massive repetitions. I am absolutely not disappointed - nevertheless, these six tracks would have benefited from a more menacing touch or a more morbid undertone. Maybe the band should not leave the composing to Remco Kreft alone. Doubtlessly, he does a good job (as composer, lyrics writer, lead vocalist and guitar player), but a few impulses from the other guys could be an invigorating element. The boys could also press the gas pedal more often. However, Chants From Purgatory satisfies the needs of death metal lunatics and even though there is still room for improvement, I cannot identify a really feeble point here. And do not forget that death metal is not my favourite genre – convinced death heads can and will add some percentage points to my rating.

Rating: 7.5 out of 10

Review by Felix on December 20, 2022.

First things first, Graceless from the Netherlands still play death metal. They did not change their style, not the smallest detail. I admit this is no surprise – and its consequence is that there are also not many surprises to find on Chants From Purgatory. But predictability is not bad per se and an experimental mentality is no value in itself. The four-piece does what it likes to do and so I score first plus points in terms of integrity. The production adds more positive aspects. Album number three sounds extremely heavy, tight and direct. Its guitar sound is not ridiculously low-tuned, but still brutal and voluminous. But to avoid misunderstandings, I have to mention that this sound does not exclude desperate, melancholic or even melodic tone sequences. Finally, everything is well-balanced, especially the double bass does not lack pressure.

As I sad before, the album does not hold many surprises, but the opener offers an unexpected turn. The main part of the slow-moving and smoothly flowing 'Giants' forms already a worthy introduction to the full-length, but the song achieves some extra percent of quality after the break at 4:13 and the following, highly dynamic section. It marks a great contrast to the laboriously advancing first section. This strong opener has to fight with 'Saint' for the crown, because this song is another perfect steamroller with highly appreciated double bass thunder. Graceless plough slowly and with maximum effort through the crusted earth. The minimalist melody lines arise out of nowhere and quickly crumble back to dust and ashes, but not without first leaving an impressive trail. Words and music go perfectly hand in hand and already the solo at the beginning reflects the fatalistic state of mind of the “Saint (of Treason)”.

The remaining tracks deliver safety first death metal. Do not get me wrong, safety first is always a good motto. Graceless avoid weak moments and stale parts. Additionally, they have a knack for compactness, the songs always come directly to the point and do not bore with massive repetitions. I am absolutely not disappointed - nevertheless, these six tracks would have benefited from a more menacing touch or a more morbid undertone. Maybe the band should not leave the composing to Remco Kreft alone. Doubtlessly, he does a good job (as composer, lyrics writer, lead vocalist and guitar player), but a few impulses from the other guys could be an invigorating element. The boys could also press the gas pedal more often. However, Chants From Purgatory satisfies the needs of death metal lunatics and even though there is still room for improvement, I cannot identify a really feeble point here. And do not forget that death metal is not my favourite genre – convinced death heads can and will add some percentage points to my rating.

Rating: 7.5 out of 10

Review by Adam M on January 31, 2023.

This album offers an unusual similarity to older Tribulation but it is more traditional in flavor and doesn't completely carry on the melodic death metal traits of said band. Instead, we have a mixed affair that goes over different styles and manages to maintain the right amount of catchiness to draw the listener in. There is a melodic flair to the songs, although it isn't as much of a death metal one but it has the right ingredients for a fun and moving listen.

The drumming is pounding, quite aggressive and leads the rhythm section nicely. The singing is intense and ferocious making it emotionally gripping and with the guitars that are hugely melodic and manage not to loom over the rest of the instruments Valletta present itself as a very cohesive group of musicians. The one unfortunate thing about this one is the fact that nothing really stands out particularly from the whole. We're left with strong musical performances that could have been pushed further and album that could have been a bit more exciting.

Now there isn’t really any huge downside to it and the flaws I'm pointing out are probably just my opinion but I do hope that in the future they'll continue to explore adding more nuances to the mix. There are also similarities to Arch Enemy that are impossible to escape, but in many ways this album is actually more exciting than that band's last opus. As it stands, this is recommended listen to melodic metal fans whether it be of the death metal genre or not and also to fans that are simply looking for an enjoyable metal experience.

Rating: 7 out of 10