Review by Jack on August 14, 2002.

This is a pretty solid record; there is no doubt about it. Agalloch are very accomplished musicians, who have some pretty fine ideas for songs and melodies. “The Mantle” is their latest effort and comes riding along and ultimately having to live up to the high quality ‘The End Records’ name that bands like Winds, Arcturus and Virgin Black have recently pushed into the metal stratosphere. Normally speaking, if you like one of The End Records’ bands, it is probably a safe bet you could really get into other The End Records bands and have some real fun in record stores piling up CD after CD. Agalloch, however may be an outfit who just slightly dampen the high standard of The End Records with “The Mantle”. It is not a meager album though, Agalloch this time around just lack a little spark and a little fire that could ignite them and turn “The Mantle” into a great record.

Thus to my problem with “The Mantle”. Creativity. Agalloch have a good formula going for the tracks on “The Mantle”, and I truly am a believer of the acoustic guitars to bring melody to songs and create a bit of diversity, but not to the extent that Agalloch bring on “The Mantle”. The winding acoustic passages on tracks such as ‘The Hawthorne Passage’ and ‘The Lodge’, for example could perhaps use a little bit of spice to up the tempo from pedestrian and subsequently make for a more interesting listen. Agalloch seem content to ponder and soak up their musical deluge of acoustics without really challenging themselves to bring out more thought and clarity to create something with a bit more substance.

That being said there are some great moments on “The Mantle”, the non instrumental tracks are really a shining feature of the album (funny that, eh? Usually a weak instrumental track makes no difference to an album, but in Agalloch’s case there are 4 instrumentals, which may be construed as half a good album). The vocals give Agalloch another dimension and through the clean and harsh vocals of Haughm they are able to create some inspired and ‘interesting’ songs. Pity this is not a consistent effort.

Some folks may say I am being harsh on Agalloch, but I say I hate to see talented wasted, which Agalloch have in abundance. “The Mantle” is recommended for any fan of Agalloch’s past work or fans of folk/rock.

Bottom Line: “The Mantle” seems to be only half full of dynamic songwriting and half full of monotone instrumental acoustic pieces. This could spell doom for less accomplished artists, but Agalloch is far from that category and succeed with “The Mantle” to an extent.

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 6
Production: 8
Originality: 7
Overall: 7

Rating: 7.2 out of 10

Review by Vladimir on January 12, 2023.

Serbian black metal underground has somewhat been very troubled for many years, due to many older bands not releasing any new material and disappearing with or without a word of goodbye. The other issue is that many of these bands have lived in the shadows of well known and successful names like May Result and The Stone for example, thus have not been as successful in gaining enough attention or support from local or worldwide fans. On the other hand, we have Angelgoat, who is still going strong after 20 years since its formation. Although the band was on hold between 2008 and 2015, Unholy Carnager is here to keep the primitive oldschool energy of goat worship and blasphemy, without ever attempting to sound as polished as possible to reach a wider audience. The topic of today's discussion will be Angelgoat's second full-length album "Primitive Goat Worship", released via Grom Records.

The album title sends a strong message that perfectly describes its sound and atmosphere, it is as primitive and blasphemous as it gets. When it comes to the sound production and musical direction, it's pure 90's black metal with the likes of classic Scandinavian bands, plenty of catchy tremolo and mid tempo riffs to be found on tracks like "Pentagram Ritual Massacre", "Sabbath 666", "Primitive Goat Worship" and "Unholy Horn Impalement", with standard lyrical themes of Satanism, Occultism, Desecration and Anti-Christianity. There are probably only a few songs with moments that leave a lot to be desired, due to riffs and drums occasionally sounding a bit out of rhythm. Another small issue I have is the vocal production, the overall screaming vocal style is okay but they sound too distant and pushed way back from the music, which is somewhat of an unfair treatment where vocals usually play an integral part in the black metal genre. These are very minor nitpicks that don't ruin the album as a whole and no one should hesitate to give it a listen despite the flaws mentioned.

Primitive Goat Worship does not fail to deliver what it promised, it is a release made by a very enthusiastic enjoyer of oldschool black metal, who after all these years managed to stay pure and primitive at the same time. Unholy Carnager brought Angelgoat back on its feet, or "hooves" in this case, with new fans like myself discovering this band and supporting the unholy legions of Serbian black metal. Večna slava Satani!

Rating: 8.1 out of 10