Review by Anna on March 8, 2011.

"Doch' Lunnogo Sveta" is the second full-length release from Andem. This band is quite obviously the Russian "version" of Nightwish, and as much as I don't want to compare bands this way, it is true. The difference is Andem is quite good, not just for a few select songs, and the singer can sing (well).

Just like their neighbors this is heavily Symphonic Power Metal, and that is the only part that is way too much for me. As the gem of this band is most definitely the vocals, everything else tends to register as "chatter". But here the vocals are so good that I would willingly sit through the over-the-top instrumentals to bask in what it has to offer.

Vocalist Yuliana is just amazing. This broad sings powerfully yet beautifully, with a husk in her voice that's ever so slight, almost sensual. Her vocal lines are compelling and sophisticated, commanding a level of dignity to each song under any circumstance. As a "foreign" listener, I observe that the language here fits noticeably well with these melodies, which are easily understood on an emotional, universal level; within this "medium" there is no sense of foreignness or even exoticness to me as the music dissolves any potential "peculiarities", and beyond that, the emotions within this "medium" are helped by said "peculiarities" as it smoothly and fittingly enables their emergence in a flawless way.

Unlike (Tarja-) Nightwish, the vocals are sung "naturally", not in the classical or God forbid, "semi"-classical style, which, under the fast and furious demands of Heavy Metal causes a strain and discomfort that subconsciously and empathically registers with the listener. This being Power Metal the vocals should flow and "narrate", and with Andem, it does.

I was deeply touched many times during this musical journey, and I'm not really into bands like this. Definitely check this out if you're into Gothic/Power Metal type bands, are sentimental, or appreciate rich melodies and good singing.

Categorical Rating Breakdown

Musicianship: 8.6
Atmosphere: 9
Production: 9
Originality: 8.4
Overall: 8.7

Rating: 8.8 out of 10

Review by Anna on March 8, 2011.

"Doch' Lunnogo Sveta" is the second full-length release from Andem. This band is quite obviously the Russian "version" of Nightwish, and as much as I don't want to compare bands this way, it is true. The difference is Andem is quite good, not just for a few select songs, and the singer can sing (well).

Just like their neighbors this is heavily Symphonic Power Metal, and that is the only part that is way too much for me. As the gem of this band is most definitely the vocals, everything else tends to register as "chatter". But here the vocals are so good that I would willingly sit through the over-the-top instrumentals to bask in what it has to offer.

Vocalist Yuliana is just amazing. This broad sings powerfully yet beautifully, with a husk in her voice that's ever so slight, almost sensual. Her vocal lines are compelling and sophisticated, commanding a level of dignity to each song under any circumstance. As a "foreign" listener, I observe that the language here fits noticeably well with these melodies, which are easily understood on an emotional, universal level; within this "medium" there is no sense of foreignness or even exoticness to me as the music dissolves any potential "peculiarities", and beyond that, the emotions within this "medium" are helped by said "peculiarities" as it smoothly and fittingly enables their emergence in a flawless way.

Unlike (Tarja-) Nightwish, the vocals are sung "naturally", not in the classical or God forbid, "semi"-classical style, which, under the fast and furious demands of Heavy Metal causes a strain and discomfort that subconsciously and empathically registers with the listener. This being Power Metal the vocals should flow and "narrate", and with Andem, it does.

I was deeply touched many times during this musical journey, and I'm not really into bands like this. Definitely check this out if you're into Gothic/Power Metal type bands, are sentimental, or appreciate rich melodies and good singing.

Categorical Rating Breakdown

Musicianship: 8.6
Atmosphere: 9
Production: 9
Originality: 8.4
Overall: 8.7

Rating: 8.8 out of 10

Review by Felix on May 9, 2019.

Autumn Roars Thunder is a difficult album for all those who enjoyed Heirs of the Northstar. The centerfold of its booklet shows a very atmospheric picture of a Northern landscape and the music focuses, compared with that of the debut, also on atmosphere. The strict and icy approach of the thunderous predecessor does no longer exist. The elegiac title track rolls in slowly, the vocals lack bitterness, malignancy and coldness and a very calm spoken words part marks a really weak sequence of the eleven-minutes-monument. All in all, this opener can be understood as an experiment with some good melodies, but it also holds crude elements.

After such a statement at the beginning, the band has to accept that the faster tracks on the album appear somewhat half-hearted. It gets obvious that the dudes are heading for new shores and they do it in a competent manner, but I guess I would not have bought the album back in the last millennium if I had known some tracks in advance. Even songs that break loose in a pretty hysteric manner, for example "The Conspiracy of the Pagan Cult", confront the listener with breaks that kill some percent of the strength of these tracks. Nevertheless, it feels great to hear the insane screaming of the lead singer on these songs and to experience the straight hammering of the drums. One can discuss about the relatively great influence of the keyboards during some parts of the songs, but fortunately the cold fury of the fastest sections turns out to be their characterizing feature. On the other hand, Viking-inspired mid-tempo tracks such as "Hymn of the Darkwood" are simply too long, to say the least. The song structure is neither adventurous nor unpredictable and the female background vocals coalesce with the strange, wannabe-heroic male lead vocals to a relatively inedible cocktail. I admit that the slower songs have a handful of good riffs, but from time to time they disappear behind the keyboards, the lead and background vocals instead of claiming a leading role.

For fans of harsh, merciless black metal, the album is like a rollercoaster with countless ups and downs. In its feeble moments, the album sounds like a collection of leftovers that Ancient never dared to release. The lead vocalist is no natural born vocal talent, although he seems to be exactly of this opinion. No doubt, he made a good job on the debut, but here he fails. An aggravating factor to be taken into account is that almost dreamful breaks appear occasionally and make me think of finishing this review prematurely. But it goes without saying that this would be inacceptable and, honestly speaking, the narrow-minded, typical Northern black metal sequences are still fascinating ("I Burn at the Stake", "On the Top of the Falcon Hill"). These eruptions of primordial force help the full-length to keep its head above water. That said, it can be recommended with restrictions. Its production avoids severe shortcomings, but naturally it cannot make up for the reduced power of the compositions. So, decide for yourself whether or not you like to check a pretty heterogeneous work of an actually talented group. Just do not expect a ferocious masterpiece like the debut.

Rating: 7 out of 10