Review by Anna on March 8, 2011.

"Doch' Lunnogo Sveta" is the second full-length release from Andem. This band is quite obviously the Russian "version" of Nightwish, and as much as I don't want to compare bands this way, it is true. The difference is Andem is quite good, not just for a few select songs, and the singer can sing (well).

Just like their neighbors this is heavily Symphonic Power Metal, and that is the only part that is way too much for me. As the gem of this band is most definitely the vocals, everything else tends to register as "chatter". But here the vocals are so good that I would willingly sit through the over-the-top instrumentals to bask in what it has to offer.

Vocalist Yuliana is just amazing. This broad sings powerfully yet beautifully, with a husk in her voice that's ever so slight, almost sensual. Her vocal lines are compelling and sophisticated, commanding a level of dignity to each song under any circumstance. As a "foreign" listener, I observe that the language here fits noticeably well with these melodies, which are easily understood on an emotional, universal level; within this "medium" there is no sense of foreignness or even exoticness to me as the music dissolves any potential "peculiarities", and beyond that, the emotions within this "medium" are helped by said "peculiarities" as it smoothly and fittingly enables their emergence in a flawless way.

Unlike (Tarja-) Nightwish, the vocals are sung "naturally", not in the classical or God forbid, "semi"-classical style, which, under the fast and furious demands of Heavy Metal causes a strain and discomfort that subconsciously and empathically registers with the listener. This being Power Metal the vocals should flow and "narrate", and with Andem, it does.

I was deeply touched many times during this musical journey, and I'm not really into bands like this. Definitely check this out if you're into Gothic/Power Metal type bands, are sentimental, or appreciate rich melodies and good singing.

Categorical Rating Breakdown

Musicianship: 8.6
Atmosphere: 9
Production: 9
Originality: 8.4
Overall: 8.7

Rating: 8.8 out of 10

Review by Jeger on November 30, 2024.

Heritage, lore and war - the essences of true black metal - the foundation to every great black metal band, whether they be from Norway, Sweden, Finland or Germany. It's this concrete artistic base that keeps black metal pure: to homage the ways of olde, to never forget the traditions of yore and to take pride in your pedigree is the code. So long as these three concepts remain trident, there will always be a dignified future for black metal, despite the mainstream whores who defile it. For Germany's Mavorim, there can be no other path. Since 2014, Baptist has pushed ahead; spearheading a movement of Teutonic revival for German BM that challenges what's become the status quo - German black metal bands emulating the Scandinavians, as opposed to doing things the olde Germanic way. With both lyrics and song titles in the native tongue, with Mavorim, you can expect nothing but the true Teutonic BM experience. On December 25, Mavorim will release their fifth studio LP, In Ominia Paratus, via Purity Through Fire.

Let the fanfare begin! A celebratory commencement into the realm of melodic black metal of the bold and atmospheric consort is transpiring here during these opening minutes. The war drums pounding their pulsed rhythms and set to epic keyboard overlays. A pitch black soliloquy, the boots of the legion beating the earth and the cries of the masses; hear them now as they permeate the scourge. A sonic signal fire to gesticulate the black metal feast to come. No compromise here when it comes to the theatrics: horns, ghostly ambiances and hearty tremolo riffs to carry you through 'Zerfall', while the following track, 'Tu Ich Meine Augen Zu', unfolds to baser elements with guitar-driven melody being the primary facet. Keyboards placed on the back burner during the opening minutes and hearty anthemic cleans reminiscent of Absurd's 'Mourning Soul' to raise the flag for German pride - soul-stirring and inspirational - a grand achievement in its own right. Black metal as hearty as the thickest ale and acutely intoxicating like Absinthe.

In Ominia Paratus is, for the most part, a savory mid-tempo'd record with martial beats and temped riffing. 'Ein Fahles Ross' is a prime example: patient melodies, intrepid rhythms and more of those celebratory cleans to rouse up from the fore of thought images of proud warriors upon horses pale as they ride the sacred night through til dawn. Ethereal keyboard effects siren like the spirits of those forlorn just before you're propelled into the grime of 'Aller Abart Gloria'. Like a page taken from Bethlehem's playbook as the evilest passages unfurl to such a vile vocal scathing. What a comprehensive record and what a magisterial contribution from Baptist and Valfor - harbingers of the true Germanic path to black metal.

You will listen to this one over and over again. In Ominia Paratus is one of the year's best, and it culminates with an epic in 'Der Letzten Sonne Untergang'. Just a smorgasbord of everything Mavorim does well here: a layered approach to vocals, haunting atmospherics, varied rhythms and engaging riffs; a journey to end a journey. Wind blown and frigid from start to finish - 'In Ominia Paratus' - a career-defining feat and a muse for the trueness of genuine German black metal. Definitely not your crusty basement BM. This record is finely produced, dynamic and refined yet wholesome and earthy as folk. An album for sacred nights by bon's fire under harvest moon, for warrior's majesty and for hearkening the winds of remembrance. Heritage and pride standing paramount - the true black metal way incarnate. Bravo.

Rating: 9 out 10