Review by Alex on August 20, 2018.

I tend to keep away from raw black metal because some bands within the genre disguise their lack of musical understanding and instrumental competency under the term “raw”. I’ve heard quite a bit of this so called “raw” black metal in which has some of the most amateur shit you will ever hear in black metal and music in general. Indeed, amateur is the ideal word to describe many bands residing under the disguise of “raw” black metal. It’s that one man, homemade MRE version of metal that is just a can of Campbell’s chicken noodle soup or a Bridgford Cinnamon bun; bland and fucking disgusting. Also the fact that most of them do the Darkthrone thing doesn’t help in terms of their identity; and if you’re wondering what the Darkthrone “thing” is, take a brief listen to Under a Funeral Moon or Transylvanian Hunger. However, to my surprise I have discovered two acts within the genre that have a considerable degree of talent that is for the most part absent given the bands I have heard thus far; most of which are so irrelevant I can’t even remember their names. All I’m aware of is, most of what I have encountered under the moniker is an endless lacuna of pungent regurgitation; some paradox isn’t it.

Pa Vesh En of Belarus and Temple Moon of the United Kingdom joined forces with the ever growing Iron Bonehead Records to compose 10 tracks of occult madness. 38 minutes of magic and malice awaits the listener on this split LP. This endeavor is by far the one of best raw black metal records to have emerged in more than 2 decades. Pa Vesh En and Temple Moon have delivered something so foul that I have no choice but to categorize this oblation with the excellence that is Ieschure, whom had released The Shadow in 2015 and whom also reside within the haunted realms of Iron Bonehead Records; why am I not surprised? The Pa Vesh En side of the split has a thick, claustrophobic, murky sound that truly seizes the entrancing air of enchantment being output during mixture of the lofi drums, blurring guitars, wailing and gaping screams. Melody is given a more than decent amount of accentuation during Pa Vesh En’s portion and does a noteworthy job of effectuating the flow of the ritual in practice. I find Pa Vesh En’s methodology to be somewhat unorthodox, a diversion from archetypal constraints given the incorporation of a relatively doomy pace on the track “Damnation and the Witch”. I did notice “Last Episode” has a very post-core riff during the beginning at the 1:16 time stamp; it sounded like something I’ve heard before; by the way, who is that I hear saying "something strong"?, is that Lilita Arndt of Ieschure?, it surely sounds so. However, it worked well and did give an added punch to the sound and miscellany of the record. 

Temple Moon’s side is vastly different from Pa Vesh En’s, both in vocal output and overall sound. And yes, Temple Moon does the Darkthrone thing, but with loud vocal screams and the added effect of echoing tones, dark synthesizers and acoustic guitar interventions that can be pointed out on songs such as “Ceremonial Decay” and “Maze of Decrepit Trees”. That is my definition of drawing influence as opposed to copying, thus leaving no room for individuality and improvisation. The contrast in sound is very strong compared to Pa Vesh En’s side; one can hear the snare drum and screams being brusquely enunciated with a greater sense of lucidity. With Temple Moon I get the sense that this is a much more sincere and stalwart black metal act than most newly formed. This is attributed to the way in which the music is played and arranged; it beckons a more serious, earnest and critical musical conscious than that of a plethora of new entities and older ones that come across as nonsensical. Temple Moon gives a whole-hearted performance on the split and does well at providing soothing landscapes filled with inordinate screaming vocals. It is a worthwhile experience listening to the performance of both bands featured on this collaborative effort. Iron Bonehead have found 2 more great bands that have showcased diligence when making underground black metal that has been challenged only by a small quantity of bands of the breed. 

Highlights:

• "The Murderer Instinct"
• "Damnation and The Witch"
• "Last Episode"
• "Ceremonial Decay"
• "Maze of Decrepit Trees" 

Rating: 9 out of 10

Review by JD on October 14, 2008.

I have to say, this band has impressed me, and has totally reaffirmed my faith in true metal. I have ignored this band in the past... never once actually listening to them. I attribute that to perhaps losing ten IQ points somewhere... but I seemed to have located them now.

After changing their names from Iron Angel (not the Speed-metal band of the mid-80's), they then shot out two albums on Metal Blade Records (self-titled released in 2000 and "Theatre of War" in 2001) and had a highly successful tour of Europe with Armoured Saint. Sadly, line up changes and then the loss of their label forced them go into a state of limbo for a time. They now emerge ready for the comeback.

I can hear shadings of Iron Maiden abilities melding with Judas Priest power sensibility and there were even some sped up Candlemass type of riffs were thrown in there for good measures. Vocally, I also was surprised to hear their new Frontman, Chaz Bond (taking over for David Taylor) and his Geoff Tate (Queensryche) inspired vocals. He did not simply imitate Mr. Tate in any way... he actually amped it up more than a few notches.

Mixing all of their obvious influences into one very power filled disk, Jacobs Dream also inject a whole lot of originality into it and brings it all together into a CD that screams to be noticed. They take the best, and makes it all their own that is deep in heaviness while shows both complexities and simpleness as well that has been overlooked in the metal world by everyone except for die-hard fans.

Tracks like 'Demon’s World', 'Hero' and the amazingly punishing instrumental 'Hands of Doom' show that these metal heads don’t need to be ‘extreme’ metal or have gravel vocals from the pits of hell to jump into the metal pool.... they just have to be so damned good. Jacobs Dream has layed out a album worth shouting about... and that is what I am going to do! With that said, Jacobs Dream puts forth a album that must be listened to... LOUDLY!!

Categorical Rating Breakdown

Musicianship: 8
Atmosphere: 9
Production: 8
Originality: 8
Overall: 8

Rating: 8.2 out of 10