Mithridatic name has not hit the front pages of music magazines yet, but its 12 years of activity, and above all the musical fruit of it, whose taste and quality encourages a more frequent collaboration with their work it is just a matter of time. Darkness and energy dripping from their songs will satisfy many death and black metal fans, therefore right after listening to their new album "Tetanos Mystique" I couldn't stop myself from introducing this five crazy Frenchmen to all of you people. If you haven't absorbed the madness of Mithridatic sounds yet, read this interview.

Arek

Greetings! What happened in the history of Mithridatic since it's divided into two periods until 2011 and from 2013?

Guitou: Hi! In our first period we struggled a bit to make a record with a great production, but we did many shows in our city and nearby. Nonetheless our efforts never allowed us to leave the country, so we had a break due to different ways of life for some and laziness on my part… then we got in touch with Kevin, which was not easy, but he came to Lyon to rehearse few times and to Saint Etienne to be closer to our roots. We had to learn a new confidence to rebirth more powerful materials and we did ''The Hunt Is On'' that introduced the new line-up and put Mithridatic on the tracks for new brutal shit… In 2016 we unleashed "Miserable Miracle" with a lot of shows and a tour through Europe with Melechesh and Nile. We realized that Mithridatic was back stronger than ever and, with a good feeling between the members, we could achieve some goals! In September to December 2018 we re-started the writing and recording process to take our music to the next level of brutality, so one year later here is "Tetanos Mystique" available 2019 Friday September 13th, I got superstitions haha…

Which one of you is fascinated by ancient times? Did the whole activity of the Mithratic dynasty weigh in on the choice of the name or just their wars?

Guitou: Even if the Mithridatic wars are quite interesting to study, none of us are fascinated by ancient times. We're not an historical themes band. We used Mithridatic as a tool to describe the perpetual intoxication we need to struggle in this poisoned world, 'til the end… living our lives with the capacity to overcome all kind of threat or menace with our power and our resilience.

Ok, let's talk about music, Mithridatic style is described as blackened death metal. Do you, as creators, feel bothered by such pigeonholing of bands?

Kevin: Of course, to put music in a specific category is tricky and this process has inherent limitations. Is that category of music prior to the music itself? Such a statement is silly, because the music exists before we call it "something". A creation is needed before we can use a frame to talk about it. So we need this frame to understand music and talk about it, but this is nothing more than a tool. We make the music we want to make, I think it is fair to call it blackened death metal, this is not a misleading statement, but of course, it doesn't summarize everything we try to do, I hope!

"Tétanos Mystique" sounds cleaner and more death metal than your debut. How do you judge the implementation from the perspective of time, are you satisfied?

Kevin: Well I definitely agree with you. When we were making this album, we didn't choose to make it more Death Metal, with a bit less atmosphere. After "Miserable Miracle", we were happy with the result, except for one thing: some guitar solos had been missing, especially compared to our demo, which included 'Hunting Fever' and 'Broken Glass Rain'. Lot of lead guitars, but not so many guitar solos. So for "Tetanos Mystique", the only rule we gave ourselves was to include more guitar solos. Does this imply a more death metal album with less atmosphere? Maybe… Anyway it happened. It took me some time to compare "Tetanos Mystique" and "Miserable Miracle", and I guess when we were making the album, nobody was aware that is was going to be more brutal and death metal. We were even afraid that it was not going to be brutal enough! I'm glad this album is a bit different than "Miserable Miracle", both musically and production-wise. To me, it still sounds like us, but just a different version of us.

According to the note sent by Xenokorp, the title of your second album was taken from the book of French writer Roger-Gilbert-Lecomte "Tétanos Mystique", and that the album is based on the books of another writer Louis-Ferdinand Celine, as well as Charles Bukowski. Will you tell us more about them?

Guitou: That's right, I've been seduced and shocked by Roger Gilbert-Lecomte and this title "Tetanos Mystique", it sounded great, but I've never succeed to have access to the original text. Disappointed, I've read back his masterpiece "la vie, l'amour, la mort, le vide et le vent", a book of poems. I also used his "correspondences" with the brotherhood of "le grand jeu", that describes his run after drugs and boundless worlds. The fact that he wrote his first poetic work called "Le Tétanos Mystique" and that he died of a crisis of that same disease…THIS is fascinating for me.

Michel Bernanos and it's amazing "La montagne morte de la vie (eng: The other side of the mountain)" inspired me too to describe strange worlds, the feeling of being abandoned in an unknown and hostile cosmos…great author by the way!

Then in the background I focus on the pessimism and sarcasm, I already worked on "Miserable Miracle" with these authors and Louis-Ferdinand Céline and Charles Bukowski that really help me to make a kind of frame and an end-time message.

For me the title of the album resumes the feeling that the lord's rope is slowly clutching your throat and the devil's claws are tearing holes in your legs.

Why, after the release of the concert CD - Live At Le Fil St-Etienne December MMXV in 2017, only a year later you decided to release another concert album?

Kevin: Well, the first one we released was not really an album, just some songs from a show, that we decided to offer to anyone that would purchase "Miserable Miracle" on our bandcamp. We had the opportunity to record a show, last minute, and these songs are extracted from that. Things were a bit different for the complete live album. This time, we arranged, with the venue, the recording session, so everything was planned. We wanted to have something better than the first time, because we were excited by the result of the first try, even if it was not very well prepared. The goal was also to have a full video of the show. This is why this complete live show is available also on Youtube.

For a metal band with 12 years in existence you have a fairly stable lineup. How did you manage to last together such a long time?

Guitou: Everyday life difficulties and struggles unit us in a certain way, we really need to express these feelings in an extreme measure. 

Kevin: Also, we don't put too much pressure on ourselves. In some bands, line up changes all the time because they are asking each other very difficult stuff to do, and sometime, you make a lot of effort for a very small result… So at some point you are just done. We just want to play all together, and we try to deliver to an audience when we are ready. I guess we just like to play together, and together we also achieve something that is beyond what we could do by our own individualities.

It's was Kevin who replaced Simon on the drums quite early, but he's a very busy guy, do you have any problems with planning tours and shows?

Guitou: Kevin has priorities that we all accept in the way that he still has pleasure to play with us! He is really involved in Mithridatic project and gives a good dynamic work that fits with the rest of musicians. We like the job and the character.

After the debut album "Miserable Miracle" you caught the wind in your sails, was it good reviews, or was it the excess of black energy that is buzzing in your veins?

Kevin: That was a surprising debut album for us, with a good opportunity to tour with Nile and Melechesh. We really don't know what happened with that album to be honest, it created some buzz, and we were very pleased of course! 

I really like both of your albums for the hooks and loads of energy. I regret that I have not been able to see you live yet, only Kevin when he played with Benighted. Do you have any plans for tours after the release of the second album?

Kevin: We have some gigs planned for this album in december. We are in Lille (Fr) the 17th, in Geleen (NL) the 18th, next day we should be in Belgium, and then we will be in Paris the 20th, and in Lyon the 21st. As Guitou mentioned it before, I have a complex schedule, and to be honest, this is also why we don't tour so much. I would love to tour more with Mithridatic, but that is very tricky. None of us is really good at booking shows too haha! But I hope we will play nearby very soon so you can come to the show!

France has a fairly complex metal scene; do you sometimes find yourselves on the other side of the stage despite your musical involvement?

Guitou: Yes, you're right French scene is a quite complex thing… I try to assist at the maximum amount of shows I can, including festivals, but money is the war nerve… so I'm used to go to concerts in Saint-Etienne which has many punks shows that I enjoy to go for many years now. I support the local extreme scene here a lot, no bullshit we got the monsters Benighted that I've seen more than 10 times on stage, there is also the grind duet of Waefuck in the region that tours through the whole world and gives brutal as shit sets! they're such nice guys!

And touring with Mithridatic gave me the opportunity to discover a lot of bands, so I've been really impressed by Ad Patres too, by their devotion to death-metal and the really brutal atmosphere they give at their shows… Svart Crpwn has a particular intensity on stage too, and Kevin played with them for a long time… but there so many that I've not seen yet or to see a second time, bands like Disowning, Iron Flesh, Gronibard, and so many others… so many motherfuckers to be impressed by!

Thanks for the interview and hope to see you 'live' sometime.

Guitou: don't worry you will! Thanks for the support.

Japanese Significant Point released their superb debut album "Into The Storm" via the German label Dying Victims Productions (review here) recently. It's an album that puts you in a good mood while listening to it and also makes you want more. Buuuut... it took those guys ten years to release it. That's already two reasons to ask the band more about it and also to be a little critical. The two guitarists of the band, Gou Takeuchi and Kazuki Kuwagaki have taken the time to answer my questions in detail. Many thanks for that gentlemen! Enjoy the interview.

Michael

Hey, how are you guys doing? Thanks for taking the time for the interview!

Gou and Kazuki: Hello! We are doing very well, thank you for giving us the interview!

In my opinion with "Into The Storm" you have released a super cool album that makes you feel good. What is the feedback you get about the album?

Kazuki: We have got a number of reviews and interviews. We are just feeling happy that people in overseas countries are listening to our album and giving us great responses. We have taken 10 years until we release our first album, but I'm very happy that we could make it this far. We'd like to say thank you to all the people who supported us thus far.

Gou: Thank you very much. I am very satisfied with the album's quality. It's been 10 years since we formed the band, and the album contains the entire history of the band so far. The theme of this album was to create an album with a perfect mix of fast songs, melodious songs, and many other variations, like a storybook. It was a very challenging experience for me, but I'm glad I was able to make it work. I am happy that we were able to release the album. We would like to thank all the people who supported and helped us to get to this point.

When I listen to the CD, I have a feeling of hearing Iron Maiden, Judas Priest and Blind Guardian on speed. Am I right or are there other influences that have crept onto the album?

Gou: All those bands you mentioned are ones I like! Let me tell you about my musical influences. I am strongly influenced by hard rock as well as heavy metal, so I think my melodic side from the hard rock influence comes into my songs naturally. The guitarist I admire the most is Michael Schenker. I grew up listening to his guitar solos on 'Rock Bottom', 'Love To Love', 'Looking For Love', etc. I love his emotional guitar sound. When I was a teenager, I used to listen to his guitar and analyze it every day. In terms of guitar orchestration, I'm also influenced by Brian May. As for bands, I was greatly inspired by Judas Priest, Iron Maiden, Savage Grace, Metal Church, Cloven Hoof, Shok Paris, Liege Lord, Sinner, Agent Steel, Sortilege, Omen, Grim Reaper, Rainbow, Scorpions, UFO, MSG. etc. In terms of Japanese bands, Loudness, Wolf, Aion, Anthem, Dementia, Crowley, X, Prowler, Hurry Scuary, Vow Wow, Mari Hamada, Kuni, Flatbacker, Earthshaker and Salem have a large influence on me.

What are your lyrics about? From reading the titles I'd say they absolutely fit into the traditional heavy metal mould.

Kazuki: I basically make the lyrics in English. Sometimes I create the content from the beginning, and sometimes I base it on images that Gou created in Japanese. There is not one particular theme, but I think I am influenced by Japanese manga and Hollywood movies. For instance, in 'Riders Under The Sun', I was inspired by the Japanese manga Initial D and Beck, and the Hollywood movie "The Fast And The Furious". Also, in all the lyrics, I tried to give them a cool sound. I am not a native speaker, so there were some aspects that were difficult, but I was able to make something that I was satisfied with.

I find the cover of the CD mega cool, this was also my first reason to listen to the CD. Is that to be understood as a kind of homage to old Japanese monster movies?

Gou: Thank you very much. As for the concept of cover art, the monster is the band's mascot character and has appeared on the previous 7" EP. We may have been potentially influenced by Godzilla. Since the previous 7” EP portrayed monsters attacking people, I wanted to see the opposite this time: people standing up to the monsters. I also thought it would be cool to express the fierceness of heavy metal with intense lightning and raging seas. I had already decided to include the sound of thunder in the beginning of the title track, 'Into The Storm', and I knew that it would be an important part of the album. So, I wanted to reflect the image of this song in the cover art. We asked Mario E Lopez M to draw the cover art for this album. We gave him a brief sketch and image, and he drew a cover art that fits our musical style perfectly. We feel very happy to have worked with him.

You have two of the three songs on the album that have already been released on your 2014 demo and as a single in 2018 and now released again on the album. Do you have a lack of ideas in terms of songwriting?

Gou: The reason why I put 'Attacker' and 'Danger Zone' on the album is because they are very important songs for the band. I wrote these two songs 10 years ago when I was 18 or 19 years old, and they were the first songs that I could feel confident in. These songs are very special to me, and we always play them at our live shows, and they are one of the most exciting songs. These two songs have given us many things. That's why I had decided to include these two songs in the full album since a long time ago. As for 'Attacker', the arrangement of the guitar solo has changed dramatically since the demo. The previous 7" EP also contains a version of the song after the arrangement, but now we can play it more quickly and aggressively, so I wanted to record it again with our best performance ever.

I have lots of ideas for songs. I'm constantly working on new songs. But I try to provide the band with only the good ones that meet my own standards. I myself am very excited to see what kind of songs we will be able to create in the future.

How did it happen that you have only released one studio album all this time?

Kazuki: Heavy metal is a minor genre in Japan, especially old school metal, and there are very few young people who play this music. Therefore, when a member leaves the band, it takes a long time, sometimes several years, to find the next member. In our band, after the initial members left, the remaining members, Gou and I, continued to search for members for a long time. During the time we also went to a studio and played, and, I don't know why, but we went around to secondhand stores to look at used guitars. I think we might have wanted to do something for the band. From this kind of circumstance, it took 10 years for us to release our first album, but the quality of this album is very satisfying, and we are very happy to have made it this far.

Some of your current and former members are also active in Evil. That's a pretty different kind of metal. How does it come about?

Gou: As you know, the drummer also plays in Evil. I also played guitar in Evil for a while. Our musical styles are very different, but it's very exciting to be exposed to different kinds of music. I've also learned a lot of approaches to guitar playing that I've never tried before. I was like, "Wow! I didn't know there was such an approach!" It was so fun and a great experience that helped me grow. So, playing with Evil was a great experience. I also think that even though they and we have different musical styles, we have something in common in terms of our essence. It's hard to put into words what it is, but anyway I think they play exciting and great music.

Why did you have to resort to guest vocalist George Itoh, who also sings with Risingfall and Military Shadow? Doesn't anyone want to have the position as a permanent singer?

Kazuki: Since Significant Point does not have an official vocalist at the moment, we asked George to record vocals for the album. Risingfall, Military Shadow and Significant Point are close friends, and George is also a friend of the band members, so we asked him. We can trust his abilities and personality. Even though he did not have enough time to prepare and practice, he did that amazing job with great quality. I also learned a lot from how he sang the lyrics I wrote. It was a real pleasure to work with him. As mentioned above, it takes time to find members for a metal band in Japan. We are still in the process of looking for a new vocalist.

One of the things that really impresses me about the album is the guitars. Was it planned from the beginning that you put guitar solos so much in the foreground?

Gou: That's right. I think the emphasis on guitar playing is one of the major strengths of Significant Point, this approach came naturally. I write guitar solos with the mindset that they are "another song within a song". As for my approach to playing guitar solos, I think that technique and theory are very important, but I believe that the most important priority is the quality of the melody. Technique is just a way to assist in playing the melody, and I play the guitar with two things in mind: feeling of the moment and playing a good melody. In the world of music, each person has a different feeling, and the right answer is different for each person. For this reason, I believe that making music is a way of confronting oneself. I try to create songs and guitar solos with a clear standard for myself in order to have consistency in my music.

Significant Point as well as Evil are both signed to the German label Dying Victims Productions. How satisfied are you with the label, which is known for its pretty cool bands?

Gou: We are honored to release our album on Dying Victims Productions. We were thinking of starting work on the album in 2019 and Dying Victims Productions offered us the opportunity to release the album at that time. They have always kindly supported us, and we are very happy to be able to work with them. Japan is a country where there are very few old school heavy metal bands. But in Europe, I think there are a lot of bands. So, I have always been longing for the European scene. I was very happy when I got the offer.

Which bands from Japan can you recommend to us?

Kazuki: For example, for younger bands, I would recommend Risingfall, Military Shadow, and Hell Freezes Over. Of course, there are many more great bands out the in Japan, heavy metal is a minor genre and the underground scene is very small. So, I was very happy and grateful that the overseas scene paid attention to us with this release. I hope that the Japanese scene will become more active in the future, and that Japanese metal scene will attract more attention not only from Japan, but also from the overseas scenes. To that end, I hope our activities will contribute to the revitalization of the Japanese scene.

Gou: There are many great bands in Japan, such as Risingfall, Military Shadow, Hell Freezes Over, Evil, Bafomet, The Blue Scream, Chase The Top, and many more. I recommend these bands. If you are interested, listen to them! Of course, there are many more great bands in Japan.

Last but not least, the last words belong to you!!!

Gou and Kazuki: We hope that many people will listen to our album. This album is the culmination of everything we've done so far and contains 10 of the best songs in the 10 years since the band formed. All the members have given it everything. We believe that this album is filled with intense speed metal, melodic songs, splendid twin leads, and a lot of attractiveness. We hope you will check out the album Into the Storm!

Thank you very much for the interview!

Gou and Kazuki: Thank you very much too! Take care of your health!