Throneaeon - Interview
Six By Six is the new band of Ian Crichton (Asia), Robert Berry (GTR) and Nigel Glockler (Saxon). They just released their self-titled debut (read review here) which is an amazing mixture of heavy metal, hard rock and prog. I chatted with Nigel Glockler via Zoom to talk about the bands history and if there are some more plans than just the album and of course because he is a British citizen to talk about the death of the Queen which happened a few days before we did the interview. Enjoy reading!
Michael

It hasn't been a long time since we talked to each other but a lot of bad things have happened since then – I guess nobody thought that it could come more worse than with Corona – war, growing inflation and rising costs and lately the passing of Queen Elizabeth. Did you form the band to lighten up people's mood a little bit when they're listening to it?
I was in that band GTR for a while with Steve Howe and Robert Berry was the band, too because Steve Hackett had left. We instantly became good friends but we lost touch for a little while. But then he came to a Saxon gig. I can't remember who contacted whom but we sort of rekindled our friendship. We kept in touch over the years and regarding this band he suddenly sent me an email. It was probably a year ago, I think it was March, April or May. He just suddenly said to me "I started that band with Ian Crichton of Saga and you're the guy (laughs). We want you, are you interested?". They sent me some demos they had been doing and they were great. I've known Ian for a while as well because Saxon and Saga crossed paths a lot of times in Germany when we both were touring and doing festivals and finally enough actually when we were doing the "Innocence Is No Excuse" tour 1985, I think it was in Munich, they were in the same studio complex doing their "Behaviour" album. So that's how long we kind of know each other. Then I flew over to San Francisco, it was in the pandemic but luckily because I am a US resident I was allowed to fly into the country and then I did the drums. That's basically what happened. Ian and Robert had written all the tracks for this album and there were a couple of things we were playing around with. Robert is a really good drummer, too and he put down a template just to listen to the sort of groups they like but they said "you do what you want over it". Ian was in Toronto and I was at Roberts' studio and we were Zooming and said "what about this and that…yeah that's great…" and so it was all written then.
Yes, I guess it is really good to have modern technologies like Zoom and so on these days. Otherwise a lot of stuff would be very complicated.
Yeah, it's very useful. I mean for instance we're actually talking about a second album. We all started to sort of work on it and I sent some things because I write as well. I sent some stuff to Robert and Ian and they're already working on them. It's great, everyone's involved in it.
How would you describe your style of music on "Six By Six"? I find it quite hard to put it into words…
I keep saying this is the sum of all three of us together. There was no plan to sort of say "we got to sound like this". Robert for instance got in touch with Ian previously before that Robert was working with Keith Emerson before he died. Robert wanted to put something a bit more guitar heavy out so he and Ian got together. I mean it's a rock album so that's all I can say with a lot of guitar and Robert plays bass and does the vocals, keyboards… it's just basically how the three of us sound. It's really funny because some people say that it reminds them of later Rush in places, someone said something that really floored me, that the groove of a song I can't remember reminded him of King's X cause I love King's X! I guess our influences are just coming out in this finished thing. I'm a prog head anyway. We're not a prog band but I love King Crimson and all that stuff. We all love these kinds of bands. All our influences with each of the three of us - it's just that's what's coming out.
Your influences are pretty widely diversified – Genesis, Rush, Yes, King Crimson, Pink Floyd – I guess the list could be much longer. Did you all bring your own style into the compositions or was there a common denominator in writing the songs? How long did it take to write and record the songs?
Well, I mean Robert and Ian started before I was even involved. They had the songs. I mean the arrangement changed in a couple of places once I was there because then we could try things out but basically the songs were written and they were working for a few months before I even got there. I went over and recorded in September. I was there for about a week to ten days and did the drums then. But I was almost the last thing to go on because they worked with the drums and as I said we changed the arrangements a little bit in some places. They wanted me to put my own thing on everything. There's a few tracks that are finished but didn't go on the album so there's more stuff finished. It was pretty quick. I love Ians guitar playing and there are a couple of solos that he did as demo solos that just knocked me to the floor and I said to him "don't you dare to change that solo, otherwise death is coming!" (laughs).
Yes, indeed there are a lot of amazing solos to find on it. Are you happy with the result of the album?
Yeah, very! Robert produced it and he's got a full studio in the little town where he lives. He does songwriting there and sessions and everything and I think he did an amazing job.
I sometimes have the feeling that the sound is a little bit overdriven like on 'China', especially the synthesizers but maybe my earphones are to blame for that, haha!
Sometimes things are that deliberate to wake your ears up. But generally I'm very happy with the sound.
What are the lyrics about? I wonder if 'China' wasn't a little bit socially critical, especially watching the video…
Robert writes all the lyrics. He gets really involved in something and I know he was really pissed off when he heard the way that the Chinese are treating the Uyghur Muslims putting them into camps. The song is not against the Chinese people, it's against the government. Putting these people into these camps is just inhuman. I think the way they're trying to dominate everything in the world, financially or whatever, it's all sort of the same and enough. We all have to have these things ourselves rather than someone trying to dominate the world. I think that's what Robert is getting with that.
Is there a red line in the lyrics or do they stand each for themselves?
Each song is on its own. 'Battle Of A Lifetime' is about how we live. There are ups and downs during our lives and we have to keep strong going forward. It's pretty deep when it comes to the lyrics (laughs). It makes people think.
Yes, that's an important thing these days. Maybe you will write some lyrics about what Russians are doing with Ukraine…I just wanted to check the news about the fake referendum that the conquered Ukrainian country parts should belong to Russia now, all this is so terrible.
You never know. I totally agree, I just saw a video where all those areal bombs were dropping on this village where the Ukrainian troops are just taking this area. There are hundreds of these things drifting down no matter where they hit, they just don't give a shit. Why can't we just live in our own areas? But this will never happen. It is throughout the centuries that there is always someone that wants more.
If the album was a soundtrack for a movie – for which genre would it be?
Oh, that's difficult. I give you a prime example. When I'm not doing this, I write what they call library music what goes to a music publisher and they put it out on television. I sometimes write with Doug (Scarratt; M.) from Saxon, we do stuff together and another guitarist friend of mine or I do stuff on my own because I play keyboard. I never know where the stuff is gonna get used until I get a royalty check or something. I just send up what kind of music they ask and sometimes I just send stuff whatever mood it is. One day I could wake up and write something like a heavy instrumental thing like Rammstein or some real industrial metal and the next day I'm like Vangelis which is really ambient. One piece of music I wrote and sent off I got the royalty check back it was used in "Florida Animal Police" and then it was used for something I can't remember and then it was used for something about sex toys (laughs). You just don't know, it's just what people want.
Haha, yeah! But what I meant was if you could choose a movie to be perfect for the album, which one would it be?
Hm, I don't know, that's hard to say. The track that just Robert and Ian did with the acoustic guitar and the keyboard that would be great for something like a love story film. 'China' could be in something quite military.
Do you plan to go on tour with the album? And will this one be the only one by the band?
Yes. We're only looking at some time. I am obviously got to work with around Saxon schedules and Ian has got to work around Saga. Finally enough we had a Zoom call yesterday with the three of us and our manager and we were discussing this. I think probably in the first quarter of next year there will be some shows and if that does come to happen there's gonna be some German ones. We've already talked about that. This is no on-off project. We gonna tour with it and we've got a three-album deal. This is a serious thing.
You are a British citizen, why did you decide to move to the USA?
The weather is better (laughs). It's lovely over here.
Like almost every Briton you are pretty concerned about the death of the Queen - what are your feelings about her passing? There are a lot of discussions going around this these days…..
First of all I was very upset about that the Queen died like nearly everyone in the UK was. We got up at 3.30 AM to watch the funeral live. The main funeral celebration was in Westminster and there was one bit right at the end when her body was taken to Windsor where she will be buried which was heartbreaking. When she became Queen she was given the crown and the scepter and at the end one of the main people came and took the crown off the coffin and that was put on the altar, then the scepter was taken off and these are the things that were only given to them while they're king or queen. They have to pass it on to the next person and that really hit me. And then her coffin was lowered down into the vault and that really shook me off actually. I think Charles will be really good – I like the Royal Family. They don't get involved in politics and a lot of countries still have monarchy. All this stuff about the past and the colonies really annoys me particularly people talking about it at this time. Having a go at other people in the Royal Family when their mother or grandmother has just died I think is disgusting! It is despicable and unforgivable. Really the colony things – you can't blame these particular people for something that's happened centuries or years ago. They didn't send people and I think it just gets ridiculous. The whole thing goes absolutely mad and there was someone in America that said "Good I hope she suffers in excruciating pain!" and this mad me absolutely mad! About the colony and the slave thing – yeah, we knew it went on but don't forget it was actually the British Royal Navy in the end that stopped it. Because once said Britain has decided that it is not good the Royal Navy started patrolling up and down West Africa stopping the slave ships. They seem to forget that. The other thing is that you can say that there should be reparations they should pay. For instance, there is an island in the Bristol Channel called Lundy Island and the Barbary pirates who came from North Africa that was a stronghold for them. They used to capture British people and take them to North Africa as slaves. So what should we do with reparations from them then? Or reparations from the Romans for invading Britain? How far do you want this shit to go? What about pull down statues – we could pull down the Pyramids then because they were built by slaves. Every single country has been cruel. The only thing we can do is learn.
Haha, this is a very interesting point of view!
I am not a religious person but I live my life and treat people how I want to be treated. So I don't go and cut someone's leg off because I don't want my legs to be cut off or hit them in the face or steal stuff cause I don't want that to happen to me. Why the hell can't everyone be this way?
These were very inspiring words to the end. Thank you very much for the interview!
Even if I had to wait another 10 years for their next release I’d do it! Throneaeon’s debut “Neither of Gods” is everything I hoped for and then some. Having released only two demos “Demo-95” and "Carnage" and 1999 MCD “With Sardonic Wrath”, Throneaeon built up a strong reputation in Sweden and the underground scene around the world. Hard work and determination resulted in a record deal with Hammerheart Records and their first full-length “Neither of Gods”, which is an immense piece of blasphemous and brutal death metal. Here’s what Andreas Dahlstrom (bass) had to say about the band’s history and their latest masterpiece.
Chris
First of all, I'd like to congratulate you on a very good full-length debut album "Neither of Gods". Do other 'zines and metal media share this same enthusiasm I have?
Thank you! The album was just released, so a lot of reactions are yet to come, but so far we have heard only kind words about it and I have been pretty busy answering interviews the past month. It seems like we have made a fucking good album and, as I said, so far the press has had nothing but good things to say about it.
From what I know, you had few labels interested in signing a contract with you. Why did you decide to pick Hammerheart Records?
We negotiated with about 5 or 6 different labels that we decided were interesting for us. In the end we chose HHR as they could offer us the best deal in combination of showing us that they really believed in THRONEAEON and our music. We had been in contact with Wilko at HHR a couple of times before (when he had his own label, Fadeless) and it seems like all of the staff members are totally devoted to this kind of music, so in the end it was not a difficult decision.
What were your intentions by re-releasing the MCD "With Sardonic Wrath"? Wouldn't you rather concentrate on the promotion of your new material?
Wilko at HHR told us that they were interested in re-releasing the mcd to make it available again when the full-length would be released and we all thought that it was a great idea. We, as well as the people at HHR, all think that the mcd is a great release and it would be sad to let it drift into oblivion. Helgrind Productions whom originally released the mcd showed no intention of promoting it further and it was easy for HHR to take over the distribution of it. I can assure you that all our powers and strength was put into "Neither of Gods" and the re-release of the mcd was just to make it available to the fans again.
Can you explain the meaning of the band's name Throneaeon? It's pretty strange combination of letters.
Ha ha, ok you're American, right? Yeah, it's a pretty strange combination, but we like to see it as something unique that represents the band 100%. We feel that both the original words (THRONE & AEON) represents a strong meaning to ourselves, so why not combine them, making a blasphemous and strong word that holds the secret to our whole existence?
There have been quite a few line-up changes through the years. What have caused them?
WHO has caused them, would probably be a better fitting question...? Maybe Tony can answer you on this one, if you ever meet him...
Are all current members fully dedicated to Throneaeon or do any of you have different side projects?
No side projects whatsoever. We are focusing all our powers into THRONEAEON! The band means everything to us and we wouldn't want to waste our energy on any second hand stuff. We are 100% dedicated to this band and we will take it as far as we can. I would guess that you need to be somewhat mentally disturbed to put so much effort into this music such as ourselves.
The band was formed in 1991 and almost a decade later you release your first album. What took you so long? Was it the band's decision not to rush the recording until you are satisfied with your sound and style or there were other circumstances causing that?
The first 3-4 years were quite disordered due to band members coming and leaving all the time, it took until 1994 for the band to get a stable line-up. As soon as we felt that the four of us would stay together for a long time we recorded the "demo -95" tape and from that moment on things have been moving steadily upwards. We have always been very distinct on the fact that everything has to be at least 100% before we release it that’s why we haven't taken every chance offered to release an album. We have a strong opinion as to how a label is supposed to support THRONEAEON and we can't accept anything less. This is also something we do as a standpoint against major parts of the music industry that just gain profit from releasing lousy bands. We take this very seriously and that includes to be serious to the fans. We want the fans to know that an album from THRONEAEON means a good quality product.
I wouldn't say that extreme death metal bands in Sweden are a minority, but the current trend calls for more melodic groups. Why did you decide to go with this sound?
This is the kind of music that got us playing our instruments in the first place (not counting the heavy metal bands that we grew up with in the 80-ies) and it will always be a major part of our hearts and souls. It would feel very strange to change direction now when things are finally starting to roll faster. We have survived the Death Metal downfall period of the mid nineties and still holding the banner up high. This is our life and you can't change that in a blink of the eye. Even though we sometimes feel that we want to try something else (especially during the Black Metal period when "no-one" listened to Death Metal) it would be completely wrong to what we stand for. We're a Death Metal band and people will be aware of that. If we would be playing in another genre in the future (not with THRONEAEON) it would be so different to Metal.
It seems you really don't like Christians and/or organized religion. Is this the band's image or your personal beliefs?
Personal beliefs... Absolutely!! This is our reality, no fiction!! Image belongs to the past. We don't like christianity 'cause it's an oppressing religion and it corrupts our society. I would say that most religions fit to this description but the christian hypocrisy is what we deal with in our daily lives here in Sweden. Our music is very personal to us so of course our personal views affects THRONEAEON. In conclusion, with THRONEAEON we tell the truth, so it's our personal views enhanced with the brutality of our art that we call Death Metal. We are involved with acts against the christian influence on our society. We will during this month, for instance, discuss with the politicians in our city about the laws of freedom of speech, which is kind of a mark for Sweden. This doesn't exist in our hometown anymore if you make people upset, which is kind of fucked up!
What does "Neither of Gods" mean?
It's a statement of truth. With this album we wish to declare war upon christianity and any man-made so-called god. Basically we want to tell the world that it's enough now. No more bullshit! Let people decide for themselves. You are neither of gods!!
What exactly does that blurry picture of a person on the cover of "Neither of Gods" represent?
It represents a lot of stuff. It's basically up to what you personally get from it. If you don't see anything else than a picture and some colors, then you have to ask yourself what you are. I must say that when I buy an album I don't want to be served with all the answers, I want to make an opinion of my own. I can discuss my personal views with someone in private, but I won't give out all the details here. That would be to ruin all the fun for the fans...
How open are you towards new inspirations into your music?
It's always nice to be able to be open-minded and I think it enhances the music if the inspiration is handled with care. Our next album will probably have new elements but still sound very much THRONEAEON. We're playing Death Metal and that's how we're performing our music, but of course you can be inspired by anything from Black Sabbath and Depeche Mode to softporn soundtracks and Bacardi commercials.
Since you are on Hammerheart now, are you open to do more tours? Are there any plans already?
We would definitely love to go on tour through Europe and the States, but right now I don't have a clue what the future will bring. The only plans we have at the moment are to go on a Scandinavian tour together with our friends and label mates Exmortem (Denmark) and Blood Red Throne (Norway).
Thank you for this interview and the best of luck in the future. Any closing comments?
Thanks for the support. Anyone interested in THRONEAEON should definitely check out our website, which is where all the action takes place: www.throneaeon.com, and also check out www.mp3.com/throneaeon to hear some of our blasphemous tunes. Hope to see you all on tour and go buy our albums! Cheers...
Upcoming Releases
- Gast - Förbannelser - Jul 31
- Taake - En Skog Av Nidstang - Jul 31
- Hexorcist - Crucificial Imprecations - Jul 31
- Horrifier - Revelations Of Gore - Aug 07
- Spectr3 - A Procession Of The Dead - Aug 07
- Megascavenger - Toxic Noxious Undeath - Aug 13
- Noveria - Becoming After - Aug 21
- Flotsam And Jetsam - Rats In The Temple - Aug 28
- Sworn - Null Crowned The Infinite - Sep 04
- Sněť - V Bažinách Vědomí - Sep 10
- Godslave - Godslave - Sep 11
- Terrestrial Hospice - Omnicide - Chapter I - Sep 11
- Neolith - Inbir - Sep 12
- Blodtår - Monark - Sep 18
- Runemagick - After Chaos: Nocturnal Vigil - Sep 18
- Game Over - When Darkness Falls - Sep 18
- Revel In Flesh - Flesh For The Kult Of Death - Sep 18
- Wharflurch - Mycodeath And Rebirth In The Outer Clusters - Sep 25
- Noctule - Extinguish Thy Flame - Sep 25
- Messier 16 - Shouts From The Cliffs Of Heterodoxy - Oct 23



